Showing posts with label Brooklyn. Show all posts
Showing posts with label Brooklyn. Show all posts

Monday, January 5, 2015

Schlock Clocks



QUESTION: I have a clock made by United Metal Goods Manufacturing Company, Inc., in Brooklyn, New York, in the shape of a pirate ship. Can you tell me who made my clock and when? It has three chrome masts, each with three sails, a ship’s wheel containing the clock dial mounted on the front, and a light imbedded in each end. 

ANSWER: Your ship clock is an Art Deco stylized version of a pirate ship, made in the mid-1930s. United Metal Goods Manufacturing Company produced unique and decorative timepieces as well as staple clocks and timepieces, mostly electric with reliable electric motors produced by the Westinghouse Corporation.

The foundation of most of these clocks was a remarkable electric motor and gearing designed by Anthony William Haydon between 1931 and 1939. His power system allowed these clocks to also perform other functions, such as twirling a cowboy's lariat or moving a figure in a graceful Hula. United Metal Goods made an astounding variety of animated clocks by using the Haydon patents.

braham Levy founded the United Clock Company in Brooklyn, New York in 1905. He remained president of the company until his death in 1961.In August of 1968, United bought the inventory, equipment, and tools of the Sessions Clock Company of Forestville, Connecticut, and for a short time marked clocks made at the Sessions factory “Sessions-United.” Eventually, United expanded its operations and became United Metal Goods Manufacturing Company.

The clocks that United Clock Company produced became known as "Carnival” clocks because carnival owners gave them as the "big" prizes at carnival games. Most of the time, however, players were never able to win these clocks because carnival owners often rigged the games. They eventually earned the monicker “schlock” clocks for their tasteless design.

United cast many of its clocks from spelter, a zinc alloy, including its ships clocks. The company offered its clocks in a variety of styles including the banjo clock, leaf sculpture clock, wagon wheel clock, and the traditional wall clock. Mantel clocks included a carriage and horses clock, Statue of Liberty clock, scales of justice clock, and an animated light-up fireplace clock. United also made other styles of clocks for the home including trophy bowling clocks, ship clocks, teddy bear clocks, and train clocks. They even produced pocket watch clocks that hung on the wall or from the ceiling.

These often tasteless clocks became a necessary decorative accessory for mantels in the homes of prosperous young couples in the 1930s and 1940s. The tradition of a ship model on the mantel comes from New England, where older families made much of their wealth in whaling. In that case, the ship model represented a constant reminder of the source of the family wealth. It was natural that the ship model eventually merged with the mantel clock.

As people moved to apartments in the cities, space for the tall clock vanished, leading to the popularity of mantel clocks. Often, manufacturers combined these clocks with figurative elements such as dogs, horses, goddesses, or whatever, limited only by imagination and their bad taste. United Metal Goods produced a long line of cheap, tasteless clocks that have since become cultural icons.




Wednesday, November 12, 2014

The Gleam of Brilliant Glass



QUESTION: My mother loved cut glass. She once had an extensive collection, but sold much of it later in life. One piece, however, did manage to survive and now I have it. It’s a six-inch round,  shallow dish, with a flat bottom and sloping sides and a circular handle. Etched on the bottom is the name J. Hoare & Co. 1853. What can you tell me about this piece?

ANSWER: You have what’s commonly referred to as a nappy, a small serving dish usually made of glass. In this case, it’s one that originated during what’s known as the American Brilliant Period at the J. Hoare and Company glass cutting factory in Corning, New York. The date of 1853 refers to the company’s founding, not the date of manufacture, which was probably around 1900. Your piece carries the etched signature thought to have been used in 1901 and 1902. The company affixed paper labels to pieces produced prior to this time.

American Brilliant Period cut glass was a symbol of elegance. Pieces like this were often given as wedding and anniversary presents in the late 19th and early 20th centuries. American Brilliant refers to cut glass made from the time of the Philadelphia American Centennial celebration in 1876 to the beginning of World War I. J. Hoare & Company was one of the first companies to produce fine cut glass in the United States.

John Hoare, known as Captain Hoare to his business associates, was born in the city of Cork, Ireland on April 12th, 1822, the oldest of a large family of children of James and Mary Hoare. He learned the glass trade with his father in Belfast, and afterwards at the age of 20, left Ireland for England, where, in Birmingham, he worked as a journeyman for Rice Harris at Five Ways Glass Company and for Thomas Webb at the Wordsley Glass Works. Following his journeymanship, he became a foreman and traveling salesman for the firm of Edward Lacey & Son, of Birmingham. He was also foreman for Lloyd & Summerfield, one of the oldest glass houses in England.

In 1848, Hoare went into business for himself. Five years later, he and his family set sail for New York. When he landed, he had just a single half sovereign in his pocket. But being a skilled and experienced glass cutter, he had no difficulty in finding a good position. He soon began work E. V. Haughwout & Company on Broadway, and after a year, with five other men, formed a glass cutting partnership.

After two years Mr. Hoare bought the interests of two of his partners, then organized under the name of Hoare & Burns. This partnership continued until 1855, when he purchased and became proprietor of the glass cutting department of the Brooklyn Flint Glass Company, State Street, Brooklyn.

In 1868, John Hoare moved to Corning, New York, where he, together with Joseph Dailey, one of his original partners from Brooklyn, opened the glass cutting firm of Hoare & Dailey on the premises of the Corning Glass Company, from which it purchased its blanks, or uncut pieces of glass.

When people think of fine crystal today, names like Waterford and Baccarat immediately come to mind. But both of these firms are European. Today, buyers have few choices if they want to purchase fine quality cut glass crystal. But at the end of the 19th century names like John Hoare were at the top of the list because it was American firms like his that produced lead crystal that was far superior to anything made in Europe.

John Hoare became well known for his use of sharp geometric patterns. The light reflects off of these patterns beautifully creating prisms of color, exhibiting what Hoare became known for and what was then considered relatively new, the use of flared cuts rather than straight ones. Pieces produced prior to 1900 are often decorated with single motifs such as strawberry diamond or hobnail while those produced after 1900 are usually more complex. Combinations of three or more motifs are common. The company also created innovative celestial designs, inspired by the arrival of Halley's Comet. Pieces cut after 1910 often incorporate engraved floral and natural motifs. However, Hoare is best known for his earlier work.

John Hoare's experience in England undoubtedly provided the basis for some of the cut-glass designs he produced in this country. Hoare's Wheat pattern, thought to be characteristic of the American Brilliant Period, is a close relative of mid-19th-century cut-glass designs produced in the English Midlands.

After Captain John’s death in 1896, his sons carried on the family business. The firm prospered until World War I, when a shortage of lead crippled the entire cut glass industry. By 1920, the firm had declared bankruptcy.

Although J. Hoare & Company produced cut glass of fine quality during the company's last two decades, the average cut glass from much of this period was often inferior. Final polishing was often neglected or carelessly done, resulting in glass with an "acidy" appearance. Hoare cut glass that had been acid-etched with the company's trademark isn’t necessarily cut glass of fine quality. Your piece fits into this category. The best pieces originated in the late 19th century.