The Sad Truth About Sadirons

QUESTION: Recently, I purchased an old iron at a local flea market. On the top of the heavy iron base is molded the word “sadiron.” Was this the brand name or a name people called this type of iron?

ANSWER: A flatiron pointed at both ends and having a removable handle is commonly referred to as a sad iron. First used in 1738, it became a regular household item by the mid-18th century and continued in use until the last decade of the 19th.

From research, historians know that the Chinese started pressing cloth using hot metal before anyone else. At the same time, Viking women used simple round linen smoothers made of dark glass along with smoothing boards to iron cloth. Others used hand-size stones which they rubbed over woven cloth to smooth it, polish it, or press it into pleats. And while some may have dampened linen first, it’s unlikely that these women heated their “smoothers.” Later glass , called slickers, slickstones, or slickenstones, had handles. It wasn’t until the late Middle Ages that blacksmiths began forging smoothing irons, heated by a fire or on a stove, for home use.

People began to call these flat smoothing irons “sad” irons, based on the Old English word “sad” meaning heavy, dense, or solid. Although most of these irons were small, they were very heavy, thus women looked forward to ironing day with some distain, knowing the drudgery it entailed.

On Mondays, women washed both clothes and bedding. They reserved Tuesdays for ironing, a chore that took all day and tired them as much as washing.

At home, ironing traditional fabrics without the benefit of electricity was a hot, arduous job. Women had to keep their sadirons immaculately clean, sand-papered, and polished. They also had to keep them away from fireplaces to avoid getting soot on them and had to regularly grease them lightly to avoid having them rust. Beeswax, applied to the underside of an iron, prevented it from sticking to starched cloth.



Women needed to own at least two irons—one for ironing and one for re-heating—to make the sadiron system work well. Large Victorian households with servants often had a special ironing-stove on which to heat the irons, fitted with slots for several irons and a place to set a water jug on top.

With no way to control temperature, women had to constantly test to see if their iron was hot enough by spitting on its heated underside. They learned the right temperature by experience—hot enough to smooth the cloth but not so hot as to scorch it. So they wouldn’t burn their hands, they had to grip the handles of their irons with a thick rag.

On April 4,1871, an enterprising women named Mary Potts of Ottumwa, Iowa (Yes, that’s right, the place where the fictional character, Radar O-Rielly, hailed from on the hit T.V. series, “M.A.S.H.”), received a U.S. patent for a lighter sadiron with a detachable wooden handle, which remained cool while ironing. Women could purchase several iron bases which could all be heating on the stove while she ironed. Women loved the idea.

She received another patent for an iron with a hollow body which could be filled with a material that didn’t conduct heat, such as plaster of Paris, clay or cement. In her patent, Mrs. Potts claimed that these materials held the heat longer so that women could iron more garments without reheating their as often.

Mrs. Potts exhibited her new sadiron in the 1876 Centennial Exhibition in Philadelphia. She prominently featured her picture in advertising for her new iron.

Learn how sadirons were cast by reading "Iron--The Material of the Industrial Age" in #TheAntiquesAlmanac.

To read more articles on antiques, please visit the Antiques Article section of my Web site.  And to stay up to the minute on antiques and collectibles, please join the other 24,000 readers by following my free online magazine, #TheAntiquesAlmanac. Learn more about vintage games in the 2019 Holiday Edition, "Games, Games, and More Games," online now. And to read daily posts about unique objects from the past and their histories, like the #Antiques and More Collection on Facebook.

Going Retro

QUESTION: I recently purchased a one arm chair that has a metal stamp that says “The B.L. Marble Chair Company, Bedford, Ohio.” It’s a cool mid-century design and is walnut and leather. Do you know anything about this chair and what it may have been used for?

ANSWER:  Barzilla L. Marble founded the B.L. Marble Chair Co. in 1894, after working at several other chair comp. His grandfather operated a chair factory in Marbletown, New York, and others in his family likewise made chairs, so it was natural for Marble to do so. He formed a brief partnership with A.L. Shattuck in 1885, but struck out on his own nine years later.

His company produced fine wooden chairs made for comfort and elegance that were made to last. Up until 1910, it produced chairs for the home, but during World War I, Marble added a division to make wooden aircraft propellers for the military.

By 1921. Marble’s company had outgrown its small wooden buildings and construction began on new brick buildings which had more than four acres of floor space. After Marble died in 1932,  A. D. Pettibone became president of the company and part owner. In 1953 Pettibone sold his interest in the Marble Chair Company to a group of local investors. Eventually, another man, also named Pettibone but not related to the first, bought the company, and it became extremely successful.



The company produced one-arm “modern” chairs most likely in the mid-60s under the second Pettibone owner. Furniture makers intended one-arm chairs, both originally in the 1870s and then in the 1960s as chairs to be placed in a corner. Today, most people would refer to these 1960's chairs as “retro” in style.

But exactly does retro mean? According to the Oxford University Press Dictionary, it means,”imitative of a style from the recent past.” Retro is a culturally outdated or aged style, trend, mode, or fashion, most likely from the 1940s through the 1960s. Currently, eBay offers over 468,000 different retro items.

People born between the 1940 and 1950 became teenagers during the 1950s and 1960s. And because those two periods provide memories for many of them, anything retro is in, whether it’s furniture, accessories, clothing, and collectibles, especially those related to the Golden Age of Hollywood.

Life in the 1950s was conservative, but changes were about to take place. Such innovations as Velcro, Tang, frozen foods, transistor radios, Frisbees and the hula-hoop began to appear. Bill Haley and the Comets rocked around the clock while jukeboxes filled every burger joint and ice cream parlor with the sounds of the young.

Furniture and accessories, especially the ubiquitous pole lamp, featured streamlined styling in   avocado and gold. By 1957 there were 47 million T.V. sets in America’s homes, four times the number of seven years before. Families began to watch T.V. shows like “I Love Lucy” incessantly. They even ate in front of the T.V., thus necessitating the invention of the T.V. tray and comfortable casual furniture without frills.

Later on in the 1960s, the space race captured everyone’s attention as astronauts walked on the Moon and teens danced the twist to the music of Chubby Checker and sang along to Beatles’ tunes. More innovations such as lava lamps and electric knives caught on eventually providing the retro movement with lots of collectibles.

Coming up in #TheAntiquesAlmanac in October will be a special edition dedicated to the Retro style. In the meantime, enjoy the 2020 Winter Edition with the theme “The Wonders of the Industrial Age.”

To read more articles on antiques, please visit the Antiques Article section of my Web site.  And to stay up to the minute on antiques and collectibles, please join the other 24,000 readers by following my free online magazine, #TheAntiquesAlmanac. Learn more about vintage games in the 2019 Holiday Edition, "Games, Games, and More Games," online now. And to read daily posts about unique objects from the past and their histories, like the #Antiques and More Collection on Facebook.

Figural Cookie Jars Still Hold Delicious Delights

QUESTION: I’ve come across two old cookie jars when cleaning out my parents home and wondered if they are worth anything. Are they collectible?

ANSWER: Cookie jars don't have to be old to have substantial value since collectors determine a jar’s value  by design, rarity and condition more than its age. Though the British used covered jars of cut glass and silver made especially to hold shortbread biscuits during the 19th Century, thus the name “biscuit jar,” it was the American pottery jar that first caught the eye of collectors.

The first American cookie jars, either glass or pottery, gained popularity at the start of the Great Depression in 1929. Shaped like covered glass cylinders or pots with screw-on lids, these early cookie containers were more utilitarian than decorative although they were often painted with floral or leaf decorations.
                                   
The Brush Pottery Company of Zanesville, Ohio, produced the first ceramic cookie jar, in green and with "Cookies" painted on the front. The company marked their jars with “Brush USA.”
By the mid-1930s, stoneware became the predominant material for American cookie jars.

As the end of the 1930s decade dawned, most manufacturers followed the move to molded pottery, and designers became more innovative as they began to produce cookie jars in figural shapes resembling fruits, vegetables, animals, and other whimsical characters such as Goldilocks.

The golden age of American cookie jars got underway in 1940 and lasted until 1970, with several manufacturers rising to prominence, including the Red Wing, McCoy, Brush,. Hull, Regal China, Metlox, Shawnee, and Robinson-Ransbottom companies. Many of these companies located in the clay-rich Ohio River Valley. By the mid-1940s, cartoons and comics inspired many makers to reproduce the popular characters of the day–Superman, Winnie the Pooh, Dumbo, Mickey Mouse, and Woody Woodpecker, to name a few.

Collectors love McCoy cookie jars. The company, based in Roseville, Ohio, produced cookie jars from about 1939 until 1987. Their first jar–the “Mammy” cookie jar–is today one of the most valuable.

American Bisque of Williamstown, West Virginia is recognized as another top U. S. manufacturer, beginning in the mid-1930s. They’re particularly well known for the cartoon characters which they translated into cookie jars, and they marked them “U.S.A.” on the bottom.

Other well respected U.S. manufacturers are known for particular cookie jars or series, such as Metlox of California, maker of the highly sought after Little Red Riding Hood jar, and the Abingdon Pottery of Illinois, maker of the Mother Goose jar series.

Today, with the advent of Zip-Loc packaging and plastic, air-tight containers, the cookie jar, for the most part, has gone the way of the horse and buggy and the Ford Edzel. But the nostalgia lives in on the cookie jar collections of hundreds of admirers who long for those good old days and the delicious homemade cookies found inside these jars.

To read more articles on antiques, please visit the Antiques Article section of my Web site.  And to stay up to the minute on antiques and collectibles, please join the other 24,000 readers by following my free online magazine, #TheAntiquesAlmanac. Learn more about vintage games in the 2019 Holiday Edition, "Games, Games, and More Games," online now. And to read daily posts about unique objects from the past and their histories, like the #Antiques and More Collection on Facebook.

Punch to Win

QUESTION: My grandfather ran a corner bar. Every afternoon, as men and women would come in from work for a drink before heading home for dinner, he would lay out several punchboards on the bar. For the price of a penny to two bits (25 cents), a player could take a chance to win up to $500. Using a stylus, the player pushed the punch completely through the foil to dislodge a paper message through the back of the board, which the player read, then collected his winnings, but more often than not, discarded in disgust. What can you tell me about these punchboards? Where and when did they originate? And why don’t we play them today?

ANSWER: Punchboards were an early form of lottery game boards used in the 18th century. Though lotteries were as popular back then as they are today, they required a large number of players to be profitable. To enable one or several people to play, a local tavern owner would construct a game board out of wood eight inches square and half an inch thick, then drill small holes in it and fill them with small rolled pieces of paper on which he had written a number. He then covered the holes with paper. After a customer bought a chance at the punchboard, usually for a penny or a nickel, he would puncture one of the hole's paper covers with a nail and retrieve the piece of paper with a number on it. If the number matched those posted, the customer won a cash prize.

As time went on, tavern owners got greedy and realized they could punch the holes with the biggest prizes and keep the money for themselves since they had made the boards. If anyone asked who won the big prize, he would just claim that it was a stranger and put a new board up the next day. Some tavern owners went a step further and didn’t put any winning numbers their boards. Players eventually caught on to this and stopped playing punchboards.

C.A. Brewer and C.C. Scannell of Chicago patented the modern punchboard in 1905.These new punchboards, made of cardboard, had paper covering both the front and back of each hole to help prevent operators from cheating. They came with a metal stylus and became popular purchases at drugstores, bars, and barbershops, much like today’s lottery tickets sold at convenience stores.

Although punchboards had been around for many years, they had never been so available or so portable. Brewer and Scannell created their punchboards so that one customer could play a lottery, with no contribution necessary from anyone else. This enabled the punchboard's owner/operator to sell chances to one customer at a time, and to immediately tell how much he had won, without waiting for all the punchboard numbers to be sold.

The invention of board stuffing machines and ticket folding and plaiting machines in the late 1910s allowed punchboard manufacturers to produce them cheaply. From 1910 to 1915, over 30 million punchboards were sold.

The concept of the punchboard had been around for many years before 1905. Many bar and pool hall owners making their own punchboards, drilling a few holes in a wooden board, then stuffing small pieces of rolled paper into each hole. Unfortunately, the customer only had the punchboard owner’s word that there was a winning number in at least one of the remaining non-punched holes, a fact that often just wasn’t true. Too often the owner/maker of the homemade punchboard would punch out the winning hole for himself, or he wouldn’t even have bothered to put a winning number in any hole. Profits from these homemade punchboards were very high.



Many people soon realized these homemade punchboards were probably fraudulent, thus the popularity of punchboarding declined. It took the invention of punchboard manufacturing machines, which could cover both sides of the board with a sheet of undamaged paper, to convince customers to return to punchboard gambling.

The mass-production of punchboards led to a general standardization of shapes and a standardization of the themes that helped identify different manufacturers' boards. Although most boards were rectangular in shape, their themes were unique. Some of the successful themes featured drawings of shapely pinups, and titles that implied that certain boards offered big payoffs, such as Win u Ruck, Barrel of Winners, and Sweepstakes Parley. Some punchboards had themes featuring racy drawings and titles such as Easy Double, Big Gusher, and Lady Your Fat is Showing.

Some punchboards had as many as 10,000 holes, and some as few as 25. Some paid out prizes instead of money, such as cigarettes, and some guaranteed that everyone was a winner. But they all had one thing in common—their calculated average gross profit or what the board's owner could expect as his profit when he sold all the holes and gave out all the prizes.  Not had, in an era when lunch cost 25 cents and a gallon of gas cost 10.

Punchboard sales declined significantly after WWII, as many states made them illegal.  Many manufacturers attempted to disguise the gambling nature of the boards by stating that prizes were "for trade only" and not redeemable for cash. Cigarette, cigar, and beer companies used punchboards as an advertising medium, featuring packages of cigarettes or bottles of beer as prizes on their punchboards instead of cash. While some of these boards were operated as advertising gimmicks, most were still played for cash.

Despite the millions of punchboards produced, it’s difficult for collectors to find non-punched or unusual punchboards because most were simply thrown away when their original owner felt the board would no longer sucker another coin from an unwitting player.

 prices range from a couple of dollars far a board with dog-eared edges and faded colors, up to several hundred dollars for a non-punched board in pristine condition. As with most collectibles, condition is important in a punch-board's cost. And  some punchhoard themes have remained consistently more desirable, therefore more costly.

Though there have been numerous lottery-type games invented over the years, non fired the imagination o f gamblers and collectors like the punchboard.

To read more articles on antiques, please visit the Antiques Article section of my Web site.  And to stay up to the minute on antiques and collectibles, please join the other 24,000 readers by following my free online magazine, #TheAntiquesAlmanac. Learn more about vintage games in the 2019 Holiday Edition, "Games, Games, and More Games," online now. And to read daily posts about unique objects from the past and their histories, like the #Antiques and More Collection on Facebook.