More Than Roses, Apples, and Ivy

 

QUESTION:  My mother was living by herself and, as she was getting older, decided to move into a retirement community. So she needed to downsize. She gave me quite a few pieces of mid 20th-century, solid colored dinnerware that looked a lot like Fiesta Ware. But the pieces had a stamp on the back that said “Franciscan Ware.” I’ve always liked these dishes and would love to find pieces to make up a complete set. What can you tell me about Franciscan Ware? Is it possible to find additional pieces?

ANSWER: The dishes your mother gave you were the first pattern of Franciscan dinnerware, called El Patio, designed by Mary K. Grant in 1934. First introduced by Gladding, McBean and Company, it was available in six solid colors, accompanied by mixing bowls and casserole dishes.

For the next 50 years, Gladding, McBean and Company produced nearly 150 patterns of colorful dinnerware, kitchenware, and decorative pieces of earthenware in Glendale, California. The most popular patterns in the Franciscan line—known as Apple, Desert Rose, and Ivy— featured embossed, hand-painted designs created in the 1940s.

The name 'Franciscan^ was a tribute to the Franciscan Friars who had established missions in California in the 17th century. In 1936, the company changed the name of the line from Franciscan Pottery to Franciscan Ware to convey a sense of quality..

Glassing, McBean produced its Franciscan ware in three distinct types of body material. The first was "malinite,^ a cream-colored durable earthenware. Next high quality vitrified china wares, known as Masterpiece China in 1940 and Franciscan China in 1942.  And lastly, the firm also made Franciscan Ware in a whitestone ware, a white earthenware first used by Gladding, McBean in 1959.

Just as Franciscan body materials came in three categories, so did the patterns used to decorate them. The three were solid-color patterns, embossed, hand-painted patterns, and decided patterns, some of which came in either a glossy or a matt glaze Potters based the earlier patterns on Mexican and early American designs.

Solid-color patterns generally come in a single color, although the company also produced two-tone ones. The very first Franciscan dinnerware, El Patio, made from 1934 to 1953, came in 20 different solid colors and over 103 shapes. Cups and bowl handles had a distinctive, pretzel-like shape. A short-lived variation on this pattern, El Patio Nuevo, was manufactured in a two-tone pattern from 1935 to 1936. The interiors  and exteriors of all pieces came in different solid colors.

Another well known solid-color pattern produced around 1936 was Coronado, finished  in satin, matt, and glossy glazes. Also called Swirl for the swirling, spiraling shape molded into the pottery.

Gladding McBean's designer Morris Sanders created the Metropolitan pattern, originally produced in Ivory, Ivory and Coral, Ivory and Grey, and Ivory and Turquoise satin finish colors. for a New York industrial design exhibition at the Metropolitan Museum of Art. In color combinations, potters used Ivory for lids and handles and as a liner. They also made Plum and Chocolate Brown patterns, each with Ivory liners. All of the vessel forms in Metropolitan were either square or rectangular.

The embossed, hand-painted patterns had decorative shapes embossed into the pieces. Decorators then hand-painted these raised shapes prior to glazing. Among these were the most beautiful and sought-after Franciscan patterns, including Apple, Desert Rose, and Ivy. The producers of both the Donna Reed and I Love Lucy T.V. shows used Apple and Desert Rose on their sets.

Introduced on January 1, 1940, Apple was Gladding, McBean’s first embossed, hand-painted pattern. It was popular for its bright red fruit, sturdy brown branches. By early 1942, Desert Rose, a pattern with pink wild roses, light brown thorny branches and green leaves, also became popular. Gladding, McBean then applied the Desert Rose pattern to previously existing vessel shapes. The finials on the lids, shaped like rose buds, were distinctive.

The company introduced Ivy in 1948, rounding out the trio of most popular Franciscan patterns. Ivy was originally offered with 27 shapes. Gladding, McBean added additional vessel shapes, including comports, a covered butter dish, a 12-ounce mug, a relish dish with three sections, a side salad, sherbet dishes and a TV tray, in the 1950s.

Besides its three main patterns, the firm produced decaled patterns—underglazed transfer printed patterns produced from the late 1930s right on through to the 1980s. The most popular of these patterns was the Starburst pattern. Introduced in 1954, Starburst featured large and small blue and yellow dots through which black lines radiated. The Eclipse vessel shape upon which Starburst appears was also distinctive.

Because of the volume of pieces produced by Gladding, McBean and Company, it’s possible to find many of them online at eBay and other sellers of antiques and collectibles. 

To read more articles on antiques, please visit the Antiques Articles section of my Web site.  And to stay up to the minute on antiques and collectibles, please join the over 30,000 readers by following my free online magazine, #TheAntiquesAlmanac. Learn more about the "Pottery Through the Ages" in the 2022 Winter Edition, online now. And to read daily posts about unique objects from the past and their histories, like the #Antiques and More Collection on Facebook.

Watt's It All About?

QUESTION: I have been doing research on some antiques I have, as I plan to open a booth in a local antique mall soon. I have a Watt oven ware bowl that doesn’t have a number however, it has a clear mark on the bottom that looks normal except the part that appears to say “Watt Ware.” I have never seen this before and haven’t been able to find it online. Also, the blue stripe doesn’t look correct or is faded. What can you tell me about this bowl?

ANSWER: Your pottery bowl came from the Watt Pottery of Crooksville, Ohio. It’s an early rare pattern of oven ware that’s highly collectible today. The color of the stripe looks odd because the pottery had problems with some of its decorative glazes earlier in the 1940s.

W.J. Watt founded the Brilliant Stoneware Company in Rose Farm, Ohio, in 1886. It began as a family business and continued so through its several transitions until 1965. The pottery made mostly stoneware jugs, crocks, and jars and jugs which it sold in general and hardware stores throughout Ohio, Northern Kentucky, and Indiana. Watt sold the company in 1897.

Watt then went to work for the Ransbottom Brothers Pottery in Ironspot, Ohio, owned by his brothers-in-law, until 1921 when he purchased the Globe Stoneware Company in Crooksville, in Perry County, Ohio, and renamed it the Watt Pottery Company. The firm opened for business in July, 1922, and once again, it was a family affair, employing  his sons, daughter and a few other relatives.

Through the remainder of the 1920s and into the early 1930s they made stoneware butter churns, crocks, jugs, and preserve jars, which they marked with an acorn or an eagle  stamped in blue, plus how many gallons the vessel would hold marked in a circle on the bottom.

Watt managed to make it through the Depression, keeping his employees working 40 hours a week. By the late 1930’s into the early 1940’s, cooking technology was changing. Porcelain self-igniting stoves began to replace cast-iron cookstoves while electric refrigerators replaced the old ice boxes. To meet the new demand, Watt created ovenware that could withstand very high temperatures.

Cooks wanted to take a container from their new refrigerators and put it directly into their new ovens. Stoneware just couldn’t do this, so Watt discontinued its stoneware line and pursued the more lucrative production of ovenware.



The lightweight cream clay body, consisting of a percentage of feldspar and whiteners which prevented the clay from discoloring after firing in the pottery kilns, also made it resilient enough to withstand the extremes in temperature. The whiteners also gave the Watt’s pottery its brightness, especially when over painted with brightly colored motifs featuring apples, cherries, roosters, and flowers.. This became known as yellow ware.

In 1949, the Watt Pottery began hand decorating its wares using simple patterns in bright colors on an ochre-colored clay base. Workers glazed kitchen ware in solid colors with patterns called moon and stars, arcs, loops and diamond and grooves. Collectors, not the company, adopted these names.

The first designs didn’t fare too well as they used raised decorations that either discolored or had rough edges. Watt hired a professional artist who taught 15 people at different stations how to hand-paint designs.



The first hand decorated patterns are called the "Classic Patterns" and were produced from 1949 until about 1953. They are: Rio Rose, Moonflower, Dogwood, White Daisy, and Cross-Hatch.

To minimize the cost of producing these wares, teams of three decorators used as few brush strokes as possible. The housewives of the 1950s loved the country charm of these wares. And because they were so inexpensive to produce, Watt wares began appearing as premiums in grocery and department stores. And because the pieces were all hand-painted, with no two  exactly alike, this makes them highly collectible.

Altogether, Watt Pottery produced wares decorated in 16 patterns, including four variations of the Apple Pattern, introduced in 1952, one in the Cherry Pattern, two of the Tulip Pattern, six in various flower patterns, plus Autumn Foliage and Eagle Patterns.

The last new pattern was the Kathy Kale Royal Dutch pattern introduced just before a fire in 1965 that destroyed the manufacturing plant. Only a few pieces were manufactured and they were sold through Kroger's stores.



Most pieces of Watt Pottery ovenware featured large marks, often covering the entire bottom of each piece. These markings usually consisted of one or more concentric rings deeply impressed into the bottom of the pottery. Although the company didn’t mark all of its wares, the bottom mark associated with 1940s Watt ware is an impressed: "MADE IN U.S.A."  Pieces may also be marked: "Oven Ware" or simply have the bowl size impressed, usually in a circle. Most pieces also have the mold number impressed in the center, making identification easy.

To read more articles on antiques, please visit the Antiques Articles section of my Web site.  And to stay up to the minute on antiques and collectibles, please join the over 30,000 readers by following my free online magazine, #TheAntiquesAlmanac. Learn more about  the Industrial Age n the 2020 Winter Edition, "The Wonders of the Industrial Age," online now. And to read daily posts about unique objects from the past and their histories, like the #Antiques and More Collection on Facebook.

An Apple a Day

QUESTION: I was cleaning out my father’s attic and discovered an old Apple computer, an Apple II to be exact.  It’s hard to imagine that this little device was at the forefront of computers of its day. How collectible are early computers and how collectible is this Apple II?

ANSWER: The answer to both your questions is simple—very. The Apple II was the granddaddy of home computers. It looked more like a closed typewriter with its built-in keyboard, but it packed a lot of punch for its day.

Steve Wozniak, who designed the Apple I with limited funds, was able to make some definitive and much improved changes in the Apple II. Appearing for the first time at the  first West Coast Computer Faire on April 16 and 17, 1977, it was an instant sensation.

The main difference internally was a completely redesigned TV interface, which held the display in memory and could display it on a TV via an NTSC cable. Not only useful for simple text display, the Apple II included graphics, and, eventually, color. Steve Jobs, Wozniak’s friend and partner, meanwhile wanted an improved case and keyboard, with the idea that the machine should be complete and ready to run out of the box.

But building the Apple II was financially challenging. Jobs began looking for funds. However, banks were reluctant to lend him money—the idea of a computer for ordinary people seemed absurd at the time. He eventually found Mark Markkula, who co-signed a loan of $250,000. Jobs, Wozniak, and Markkula formed Apple Computer on April 1, 1976. They chose the Apple name because they wanted to beat Atari, and Apple came before Atari in the alphabet and this in the phone book.

With its new case and graphics, the Apple II became one of the 1977 Trinity of computers—along with the Tandy Corporation’s (Radio Shack) TRS-80 and the Commodore PET—credited with establishing the home computer market. Apple Computer sold 5-6 million Apple II’s by 1993.

In terms of ease of use, features, and expandability, the Apple II was a major technological advancement over its predecessor, the Apple I, a bare-bones motherboard computer for hobbyists. First sold on June 10, 1977, the Apple II became one of the longest running mass-produced home computer series, with models in production for just under 17 years. Among the first successful personal computers, it put Apple Computers on the map.

Jobs and Wozniak aggressively marketed the Apple II through volume discounts and manufacturing arrangements to educational institutions which made it the first computer to be used in American secondary schools, displacing the early leader, the Commodore PET. The effort to develop educational and business software for the Apple II made the computer especially popular with business users and families.

To load and save programs and data, the Apple II used audio cassette tapes. In 1978, Wozniak implemented a Disk Operating System or DOS, which he commissioned from the Shepardson Company. The final and most popular version of this software was Apple DOS 3.3. Some commercial Apple II software booted directly and didn’t use standard DOS formats. This discouraged copying or modifying of the software on the disks and improved loading speed.

By 1992, the Apple II series of computers had 16-bit processing capabilities, a mouse-driven Graphical User Interface (GUI for short), and graphics and sound capabilities far beyond the original created in 1977.

Wozniak designed the Apple II to look more like a home appliance than a piece of electronic equipment. The lid lifted off the beige plastic case without the use of tools, allowing access to the computer's internal workings, including the motherboard with eight expansion slots, and an array of random access memory (RAM) sockets that could hold up to 48 kilobytes worth of memory chips.

The Apple II eventually had color and high-resolution graphics modes, sound capabilities and one of two built-in BASIC programming languages, plus a microprocessor running at 1 MHz, 4 KB of RAM—today’s computers run at 800+ Ghz with RAM at 8 gigabytes or higher. Jobs and Wozniak targeted the computer for  consumers rather than just hobbyists and engineers. Unlike other home microcomputers at the time, Apple sold it as a finished consumer appliance rather than as a kit.

To reflect the computer's color graphics capability, the Apple logo on the case sported rainbow stripes which remained a part of Apple's corporate logo until early 1998.

Wozniak eventually added an external 5¼-inch floppy disk drive, the Disk II, attached via a controller card that plugged into one of the Apple II's expansion slots, to replace cassettes for data storage and retrieval. Apple's Disk II became the first affordable floppy drive for personal computers.

Wozniak's open design and the Apple II's multiple expansion slots permitted a wide variety of third-party devices, including Apple II peripheral cards such as serial controllers, display controllers, memory boards, hard disks, networking components, and realtime clocks—all common on today’s computers.

The original retail price of the Apple II with 4 kilobytes of RAM was $1,298 and $2,638 with the maximum 48 kilobytes. Today, Apple II’s can be found on eBay selling for $300-400 in working condition.

While there’s a collector for just about any pre-1990 computer, any from the 1970s and earlier are hot. Though there’s a lot of computer related equipment and peripherals to  to collect from this era,  nothing beats the early Apple computers. Apple has staying power. They’re the last of the home-brewed companies that emerged out of the 1970s that are still in business.

Do NOT Delete

QUESTION: I was rooting around in my attic recently and came across an old Commodore 64 computer that belonged to my late husband. Does this have any value or should I just recycle it?

ANSWER: Before you give that old computer the heave-ho, you might want to read on. It’s been 30 years since the Commodore 64 first appeared on the market. In that relatively short time, personal computers—better known as “PCs”—have turned the world upside down and inside out. In fact, most people do very little without computers today, and businesses, especially, couldn’t operate without them.

As technology progresses, people, especially nerds who grew up with computers, seek out their first computers. Like most parents, they always fondly remember their first. And in the retro movement, twenty- and thirty-somethings are also trying to discover the computers from before they were born. In fact, someone out there collects just about any pre-1990 computer, but it’s the ones from the 1970s that are hot.

With 17 million units sold during its long lifetime, there are probably more Commodore 64 computers stashed away in closets and attics than any other model. Some say the Commodore 64 was the best-selling single computer model of all time. Collectors can usually find one or two available on eBay for anywhere from $10 to $300, with some in their original box.

Of all the early computers, the Apple models are the overall favorite among collectors. The most sought after one is the Apple I. Of the 200 assembled in a wooden cases in 1976, only 35 still exist. When they first appeared, they sold for $666.66 and even at that price, Apple co-founders Steve Jobs and Steve Wozniak struggled to drum up interest in their new creation. Originally, they had planned to sell the Apple 1 as a bare circuit board that electronics hobbyists could turn into a working computer by soldering in the chips themselves. But it was only a modest success. In today’s Apple IPad world, it’s become the most famous collectible computer, bringing in $15,000 and $25,000 when one goes up for sale.

With over 5-6 million sold, the Apple II isn’t that rare. Originally selling for $1,298, today about the most a collector will pay for one is $250. Some call this model one of the greatest PCs of all time. Of all the ones that appeared on the market in 1977, it was definitely the most advanced. The hottest one today is the plain-vanilla II model.

Garage sale and dumpster divers have no trouble finding discarded computers. But the more valuable ones, like the Apple Lisa, are harder to come because of their age and collectability. By 1983, Jobs and Wozniak had refined their computers with a graphical interface—that is users were able to display fonts, illustrations, and photos on the monitor. This put the Lisa way ahead of its time with a hefty price tag of $10,000 to match. It even came with a mouse, a feature that wasn’t to appear regularly until the MacIntosh. Unfortunately, this computer was also temperamental and thus failed in the market. Its historical significance makes it one of the most valuable computer collectibles, valued at $10,000,  the same amount it sold for 29 years ago. To add to its mystique, Jobs and Wozniak ordered 2,700 unsold Lisas buried in a Utah landfill in 1987.

In February 2005, Christie’s held an “Origins of Cyberspace” auction which offered old documents detailing the foundations of computing. The auction drew a lot of attention to vintage technology and placed value on items once used only by geeks. Unfortunately, that attention caused vintage computer prices to skyrocket, thus pricing a lot of collectors out of the market. 

Cover-featured in a famous issue of Popular Electronics magazine as a do-it-yourself project, the Intel 8080-based Altair wasn't the first microcomputer, but it was the first one that truly caught on, spawning an entire industry of clones, add-ons, and software suppliers. Bill Gates, through his company Micro-Soft, developed the first operating system for that computer, launching a company that operates to the present day. And because the Altair was such a big seller, it isn’t as valuable as some of the other early computers, however, models in good condition do sell today for over $2,000.

The first clone of the Altair was the IMSAI 8080 which sold for $600 in 1975 and has a value nearly that now. It’s main selling point was its compatibility with the Altair 8800. It’s probably most famous today as the computer that Matthew Broderick used in the 1983 movie “War Games.”

Two of the most popular computers to catch the eye of consumers and now collectors are Radio Shack’s Tandy TRS-80 Model 1, which hit the stores in 1977 for $599, and the TRS-80 Model 100, which appeared in 1983 for $799. The TRS-80 became the first computer sold in shopping malls while the second became the first popular notebook computer, with nearly 6 million sold, making Radio Shack the world's leading computer retailer for a while. Both sell today on eBay for $25 to $250.

Last but not least is the IBM PC, first coming on the computer scene in 1981 at a staggering price of $1,565 and now worth between $50 and $500. More formally known as the IBM 5150, it foretold the end of the early days of the Computer Age. The PC revolutionized computing for the average consumer, becoming the first to use hardware and software made by third-party companies. After it’s introduction, no computer company, except Apple, had a monopoly on their wares. And in its January 1983 issue, Time Magazine named it the “Machine of the Year.” And today, in all of its many forms, that machine still is.