Memories of Childhood

 

QUESTION: When I was a kid, I collected flicker rings. I loved the way they produced a flickering image of my favorite super heroes. Trading them with friends became a passion. I forgot about them until I saw a story online about them and did a search on eBay to see if I could find any. Low and behold I discovered some of the ones I had collected as a kid. Heaven knows what happened to them. I’m thinking about collecting them again but don’t know anything about them. Can you tell me how they originated and a little about how they were made?

ANSWER: No problem. There are many little promotion items like flicker rings out there that make wonderful collectibles today. 

A flicker ring has a clear, ribbed lenticular plastic lens over a specially created image underneath. When viewed at different angles, it optically switches between two or more separate images. 

Though invented in the 1950s, it wasn't until the 1960s that flicker rings reached their peak of popularity. Made by the millions, these small plastic pop cultural icons appeared as cereal premiums, were sold in vending machines, hung on display cards at drugstores and supermarkets, and could be found by the box full on counter tops at variety stores across the country. 

The Vari-Vue Corporation perfected the dual image camera that took two separate images and split them into hundreds of fine lines. Then workers applied hundreds of images to a sheet of plastic which had been rolled out by a machine that left lenticular lines, allowing the individual photos to be viewed by slightly tilting the sheet. Unlike the later holographic process, which used laser technology and produced an image with three-dimensional qualities, the flicker consisted of two distinct images. Finally, workers  cut the sheets and applied the flickers to a ring base which was usually made of plastic  in Japan or Hong Kong. Some of the more desirable rings had metal bases or were larger, and some resembled a tiny T.V. set. Vari-Vue often contracted out piece work to local families, who would take thousands of flicker pictures and ring bases home and attach them.

Since there are two pictures on flickers, it's quite common to have linked images. Often  one image is split into a positive and negative form, like the Famous Monsters and Universal Studios Monsters sets. Characters who didn't have a strong tie to a partner appeared in two poses, such as Superman standing and Superman flying with cape out-spread. And then there are the type that show animation such as the Roadrunner with legs in motion. Rings showing pop culture icons of the 1960s are the most sought after by collectors. 

Collectors also seek the multi-image sheets used to make the rings. When Vari-Vue shut its doors in the mid-1980s, much of its stock of uncut sheets made its way into the hands of collectors and dealers. These sheets aren’t all that rare and can be found at toy and collectibles shows.

One of the rarest and earliest rings on the market is the Howdy Doody version from the early 1950s. This ring, along with a set of five premium rings offered by Famous Monsters Magazine in 1968 are two of the most collectible of flicker rings. 

Rock 'n' roll, too, came of age in the 1960s, with the Beatles and the Monkees topping the list of flicker rings. The 1964 World's Fair, the Space Program, television shows, movie characters, political campaigns, and even products, all made their way onto flicker rings.

Along with rings, flickers appeared on pins, earrings, keychains, cufflinks, rulers, in books, ads in magazines, promotional premiums, and on business cards. In fact, the  cardboard cards on which displayed the rings are now more valuable than the rings themselves. Usually a dealer threw away these header cards once he or she sold the stock, which is the reason for their scarcity.

To read more articles on antiques, please visit the Antiques Articles section of my Web site.  And to stay up to the minute on antiques and collectibles, please join the over 30,000 readers by following my free online magazine, #TheAntiquesAlmanac. Learn more about the Retro style in the Fall 2020 Edition, online now. And to read daily posts about unique objects from the past and their histories, like the #Antiques and More Collection on Facebook.

                          

Hess Toy Trucks Keep Rolling Along

 

NOTE: This week marks the 11th anniversary of this blog. It also marks a milestone in readership with over 458,0000 views. To commemorate both events, I'm presenting an update of my very first post on Hess Toy Trucks. 

QUESTION: I want to buy a Hess toy truck for my grandson for Christmas. I saw an ad for the newest one on T.V. which said I could buy them online. Aren’t they being sold at local Hess gas stations anymore? I remember my first Hess truck. I played with it until it literally fell apart.

ANSWER: A lot has happened since you first received your first Hess truck for Christmas. In fact, a lot has happened to the company in the last seven years. The Hess Oil Company underwent some major changes, the biggest being the selling off of all of their gas stations to Marathon Petroleum, converting their retail outlets to Speedway stations. So naturally, Hess trucks haven’t been sold in gas stations for quite some time. Hess Oil has set up a special Web site to sell its latest truck.

Hess Oil's first toy truck from 1964

Starting in 1964, the Hess Oil Company wanted to thank their loyal customers by making small replicas of their trucks as a token of appreciation for their business throughout the year. The company was the first one to manufacture toy trucks that had working lights and sound. The Hess toy trucks, helicopters, police cars, airplanes, space shuttles and rescue vehicles have been popular Christmas gift traditions for over 50 years. In fact, it’s one of the longest running toy brands on the market.

Because the company produced these trucks in limited quantities, they limited each customer to two of them. That first truck sold for $1.29, and today can sell for over $2,500. Unfortunately, only the oldest Hess toy trucks have increased in value. Those produced from 1990 on in many cases are now selling for less then their original retail price. 

Hess periodically has a rare truck such as the 1995 chrome truck with helicopter and the 2002 chrome Mini, which the company gave away at a stockholder meeting. In  2006, it gave a special truck to New York Stock Exchange employees to commemorate its name change from Amerada Hess Corporation to Hess Corporation.

However, more than half the value of each truck depends on the condition of its box. If the truck, itself, is also in perfect condition, then it’s considered to be “MIB” or “Mint-in-Box.”  Most people have trucks they bought to give to their kids for Christmas. Unfortunately, their children played with the trucks and now they’re worth a fraction of the mint ones.

Plus values of these toys tend to fluctuate, depending on who’s buying them. While dealers pay the lowest amount and then double it to sell them, some collectors will pay just about anything to get the truck they want. In fact, one collector drove four miles to meet a woman in a rest area on an Interstate highway just to look at a truck she had for sale. But true value of a truck is whatever anyone is willing to pay for it.

While the first trucks were tankers, succeeding ones ran the gamut from transports to fire trucks and car carriers.  In 1966, Hess deviated from its line of trucks by producing an ocean-going tanker, based on the Hess Voyager, a patrol car in 1993, a helicopter in 2001, an SUV in 2004, and a race car in 1988, 1997, 2009, 2011, and this year, 2016. but it wasn’t until 1993 that the company offered a police car and in other years sold a helicopter carrier and monster truck. In recent years, boxes have contained one larger vehicle transporting smaller friction-motor vehicles, such as motorcycles, race cars, or cruisers. 

The 2020 Hess Ambulance and Rescue Truck is Hess Oil’s premier tribute to first responders. The heavy-duty Type I truck-style medical transport includes an oversized passenger compartment that doubles as a carrier for its Rescue partner.  Designed for high visibility, the bright, attention-grabbing red and white cab displays 70 lights. The lights flash in four different flashing patterns, each activated in tandem with a unique siren sound via the four cab-mounted buttons. A switch under the chassis activates lights in steady mode and for the first time ever, a “Mute” mode is included to keep those amazing lights flashing without the accompanying siren sounds. The sparkling chrome accents add detail. A top-mounted button at the rear of the see-through passenger compartment releases the rear door which acts as a ramp for the Rescue truck.   

The accompanying Rescue is a rugged on/off-roader pickup truck with a fold-down tailgate and a pull-back motor that can be revved-up and released . Its bright red color is complemented with sparkling chrome-look accents and another 26 lights that work in steady mode.

Later versions became more complex and expensive

Because Hess toy trucks didn’t gain mass popularity until the 1980s, those few collectors savvy enough to pack one away in its box without touching it are the only ones who can cash in on the higher values of Hess toy trucks from 1964, when they first came out, through the 1970s.

This monster truck was one of the oddest

The Hess Toy Truck is one of the longest-running toy brands on the market. However, the price has gone up considerably from that first truck selling for $1.29 in 1964 to $36.99 for this year’s Ambulance and Rescue Truck.

Remember, unless a Hess truck is an early model and still new in a pristine box, it has little value. Unfortunately, the market for Hess trucks has been flat for nearly a decade,  so selling all but the oldest trucks is a real challenge.

To read more articles on antiques, please visit the Antiques Articles section of my Web site.  And to stay up to the minute on antiques and collectibles, please join the over 30,000 readers by following my free online magazine, #TheAntiquesAlmanac. Learn more about the Retro style in the Fall 2020 Edition, online now. And to read daily posts about unique objects from the past and their histories, like the #Antiques and More Collection on Facebook.

The Sparkle of Findlay Flint

 

QUESTION: My mother loved collecting antique glass. She collected what she liked but didn’t pay too much attention to each piece’s history. I now have her collection and display it proudly. I’m trying to figure out exactly what I have. Some are readily identifiable but there are several that are puzzling. A friend told me they may be Findlay Flint glass. What can you tell me about this company? And what types of glassware did they produce?

ANSWER: While glassmakers like Heisey and Fenton are well known, there were plenty of others nestled in the Ohio River Valley. One of these was Findlay Flint Glass of Findlay, Ohio.  

Not a single glass factory remains in Findlay today. It was once home to 22 glass manufacturers, including five tableware companies, not all of whom were in production at the same time. But from 1889 to 1891, sixteen factories operated at once. The town boasted being the second largest glass producer in the country. Findlay's glass factories disappeared almost as quickly as they appeared, but in their brief existence, they produced hundreds of pressed glass patterns which are widely recognized and collected today.

It all started with the discovery of natural gas in the Findlay area in 1884. The rapid rise and fall of Findlay', glass industry was directly linked to the city's natural gas supply. But it wasn’t until 1886 before residents drilled wells to tap into the fuel source. The first was the great Karg well. A Geological Survey of Ohio in 1890 estimated it produced 14 million cubic feet of gas per day. Reports said gas escaping from the well could be heard as a roar five miles away.

City leaders believed they had an inexhaustible gas supply and lured industries to town with the promise of free or inexpensive gas. Glass companies in particular saw this as an incentive since they required a tremendous amount of heat. Multiple glass factories  soon sprang up, bringing thousands of new workers. Housing boomed and stores thrived in the gas boom town.

No one imagined that in just a few years, Findlay's gas would be in short supply, but only two years after drilling the Karg well, some local wells began failing.  By 1890 city officials saw trouble ahead. Fearing serious gas shortages, they urged glass companies to convert to other fuels. A few years later, the situation worsened. They had no choice  but to cut off the gas supply to industries in order to satisfy the needs of residents. Although a few glass companies remained for several years. Findlay’s shining moment in the glass industry abruptly ended.

The Findlay  Flint Glass Company was the last tableware factory to locate in Findlay. Organized mainly by local people, it opened in 1899 producing a full line of tableware and employed 192 workers.

Unfortunately, the company didn’t last long. Business had already slowed down by December 1890. And in 1891, city officials warned of possible gas shortages. The end came on June 6, 1891, when a midnight fire started in the shipping department and destroyed the factory. The owners had planned to rebuild the factory to produce glass bottles, but the intense heat of the fire ruined the limestone foundation so the factory was never rebuilt.

Even though Findlay Flint Glass produced glass for only about 22 months, it produced a large quantity of glass in several fine patterns. One of its major patterns was the Block and Double Bar which can sometimes be found with ruby flash. Though the company made its Pillar pattern midway through its production, it introduced Pattern No. 19 only a few months before the fire, making it extremely difficult to find today.

Stippled Forget-Me-Not, originally called Dot, was another popular pattern made in several colors including white milk glass and a fiery opalescent glass which are both difficult to find. Besides the regular tableware line, there were three baby plates with Stippled Forget-Me-Not borders. One featured a baby in the center, another had a cat, and the third had a stork.

To read more articles on antiques, please visit the Antiques Articles section of my Web site.  And to stay up to the minute on antiques and collectibles, please join the over 30,000 readers by following my free online magazine, #TheAntiquesAlmanac. Learn more about the Retro style in the Fall 2020 Edition, online now. And to read daily posts about unique objects from the past and their histories, like the #Antiques and More Collection on Facebook.

The Origin of American Studio Pottery

 

QUESTION: I’ve always loved handmade pottery. And looking back over history, it seems to have existed since ancient times. Recently, a friend told me that Charles Binns was the father of American studio pottery. Exactly what does that mean? Isn’t all handmade pottery made in a studio?

ANSWER: While pottery, itself, has existed for eons, what’s referred to as “studio pottery” is a relatively recent phenomenon, dating to the very late 19th century and early 20th. 

Although now nearly forgotten, Charles Fergus Binns, a studio potter and instructor, enjoyed a national reputation during the early years of the 20th century for his classic stoneware pots. Binns' made many of his legendary stoneware vases, bottles, bowls and jars during the height of the Arts and Crafts Movement in the U.S.

Born in England in 1857, Binns left school at age 14 to become an apprentice at the Royal Worcester Porcelain Works, where his father was a co-managing director. Eventually, he occupied an administrative position at the Royal Worcester factory and  became a recognized scholar and lecturer concerning world ceramics. In Paris, in 1878, he exhibited his early experiments with clay bodies and glazes. Binns accompanied the Royal Worcester exhibit of 1,400 pieces to the Chicago World's Fair in 1893 and made the United States his home in 1897. 

Binns's ceramic technique focused on his pots as utilitarian objects. His work included vases, urns, and bowls. He threw each piece in three forms on a wheel, turning them on a lathe and piecing them together afterwards. One of the concepts Binns taught was “dead ground,” in which the parts of making pottery that couldn’t be precisely controlled, such as firing temperature or glaze calculations, were mitigated by control over glaze placement.

In 1899, Binns helped found the American Ceramics Society. His role in this organization led to the directorship of the newly formed ceramics department of Alfred University, the first United States college to combine programs in ceramic art and science. In the years that followed, Binns shared once-secret clay recipes and glaze formulas with his students, including Arthur Eugene Baggs, William Victor Bragdon, R. Guy Cowan, Maija Grotell and Elizabeth Overbeck, who were largely responsible for fostering the idea of the artist-potter in America.  

Binns is commonly referred to as the "father of American studio ceramics." This title reflects not only his creation of unique stoneware pots in the Arts & Crafts style, but additionally acknowledges his accomplishment of bringing vital information about ceramic clay bodies and glaze recipes to ordinary people, thus laying the foundation of the flourishing studio ceramics movement in the United States that began in the early 1900's.

In 1900, New York Governor Teddy Roosevelt signed a bill establishing the New York State School of Clay-Working and Ceramics—now the New York State College of Ceramics at Alfred University. Appointed as the founding director at that time, Binns held the position for over 30 years until his retirement in 1931, during which time he became known for his classic pots with rich monochrome glazes.

Before Binns' arrival at Alfred University, it was customary for one

person to throw art pottery on the wheel and another person to glaze or decorate surfaces mar reflected his respect for the natural materials he used. He admired Oriental forms and glazes. and sometimes signed his pieces by putting his initials, “CFB" inside a circle closely resembling Chinese marks. His signed pieces ;following Asian tradition, Include his initials along with the year in which he made them.

Binns' work was widely exhibited during his lifetime, including his earliest documented stoneware vase, signed and dated 1905, and his final creation, a fragile bisque vase that he

signed and dated 1934, which he left unglazed and unfired at the time of his death. A memorial exhibition Of Binns’ works drew admiring crowds at the Metropolitan Museum of Art in New York in 1935.

American studio ceramics really began with Charles Fergus Binns, who introduced the principles of chemistry and materials science into the ceramic arts. 

To read more articles on antiques, please visit the Antiques Articles section of my Web site.  And to stay up to the minute on antiques and collectibles, please join the over 30,000 readers by following my free online magazine, #TheAntiquesAlmanac. Learn more about the Retro style in the Fall 2020 Edition, online now. And to read daily posts about unique objects from the past and their histories, like the #Antiques and More Collection on Facebook.