Spin, Spin, Spin

QUESTION: Several years ago, I purchased a small spinning wheel at a local antique show. The dealer said it had been made small for use by a child. While that seems like a good way to teach a little girl how to spin, I’ve never seen one so small. It stands less than two feet tall. Also the wheel doesn’t look like the usual kind and sits in a vertical position under the spinning mechanism. What can you tell me about my spinning wheel? Was it for a child’s use or maybe made as a sales sample?

ANSWER: Your spinning wheel was neither made for a child’s use or as a sales sample. It’s called a parlor spinning wheel and is one of four types of wheels made in the 18th and early 19th centuries for use by women in the home.

Spinning has been a vital part of everyday life all over the world for thousands of years. The Western spinning wheel has been around since about the 14th century, thus there are as many style of wheels as there are people who make them. But there are only two basic ways to spin, and all styles of wheels are variations on one of the two.

The first way to spin is called "quill" or"spindle" spinning. The mechanism is a simple system of pulleys attached to the wheel. The pulleys cause a long, sharp, metal spike, or "quill," to turn. Fibers are spun off the tip of the quill and then manually wound back onto it.

The second, more modern, way to spin is with a "spinning assembly" which consists of a "flyer" and "bobbin." The flyer is a U-shaped piece of wood with hooks running along both sides and a hole, called the orifice, at the bottom. The spinning assembly allows the spun fiber to wind onto the bobbin automatically.

There are four styles of spinning wheels. The first is the wood wheel, which has no treadle or foot pedal to turn the wheel. The user must work with it while standing, walking backward to twist the fibers and then forward again to wind the spun yarn onto the quill or spindle. For this reason, people call the wool wheel the walking wheel or the high wheel or great wheel because it stands 4 to 6 feet tall.

The second style of spinning wheel is the flax wheel, also called the Saxony wheel. This type is what most people think of when they picture a spinning wheel. It has a low slanted bench, a treadle to keep the wheel going, and a spinning`assembly. A Saxony  wheel also has some sort of distaff to hold the flax while the user spins it. The distaff could be a straight stick in a hole at the front of the bench, or it could be on its own frame so, you can swing it to the side. Very often the distaff has been lost over time, and the only clue that there was a distaff at one time is a hole in the bench.

The third type of spinning wheel is the castle wheel, which has all the same components of the Saxony—a small wheel, treadle and spinning assembly—but instead of being mounted on a slanted bench, the wheel and assembly sit in a vertical frame. Technically, this type can only be a castle wheel if the spinning assembly is mounted below the wheel, but most people now call any upright or vertical frame style a castle wheel. True castle wheels are relatively rare.

The last type of spinning wheel is the parlor wheel, an upright or vertical version of the Saxony. Though it may look like a castle wheel, only two vertical upright posts support the wheel instead of a rectangular frame. These wheels are also the smallest.

Besides the story that these dainty wheels were originally made for use by children, some antique dealers spin a yarn which says that immigrants brought this type over to America with them because they could only bring small items on the ships. And while both of these explanations for the parlor wheel's size seem plausible, neither is true.

The parlor wheel’s small size appealed to the Eastern and Central Europeans. There have been wheels dated well before immigration began which were just as compact as those made during and after the rush to America.

Truly antique versions of the parlor spinning wheel sell for nearly $500. But there are a lot of reproductions out there, and it’s often difficult to distinguish the authentic from the reproduction.

A Pen in Hand

QUESTION: I was going through some drawers in an old desk and came across a couple of fountain pens. I wondered if they’re collectible. Also, what can you tell me about their origins. I’m young enough not to have ever used one.

ANSWER: Technolgy has changed our lives a lot in the past 75 years—that marked the date in 1939 when Lizlo Biro, a Hungarian proofreader, first patented the ballpoint pen. It was also the year the 1939 New York World’s Fair offered a vision of the future to thousands of people. Up to that time, the main writing implement that people used was the fountain pen. And it was 108 years before that when John Jacob Parker patented the self-filling fountain pen, paving the way for an easier way of writing.

But it was three inventions that occurred in the mid-19th century that helped the average person accept the fountain pen—the invention of hard rubber, which replaced steel for pen cases, iridium-tipped gold nibs for increased flexibility, and an improved ink formula which contained less sediment.

However, it wasn’t until Lewis Waterman created his Ideal Fountain Pen that the public embraced the fountain pen. After his Ideal Pen became a success, Waterman patented the coiner mechanism where a slot in the heel of the pen enabled a coin to deflate the internal pressure plate.

Probably the most well known of all the fountain pen companies was the Parker Pen Company. George Parker started the Parker Pen Company in Janesville, Wisconsin., and patented his “Lucky Curve” ink feed system in1894. His design allowed the ink to flow back into the reservoir when the pen was upright, reducing the possibility of leaks, creating a new industry standard. He patented an improved version in 1911. You could purchase one of his pens back then for $2.50 to $6. He even made one the size of a  penknife, suitable for a lady's purse.

The Parker Pen Company was an innovator and came out with several firsts, including a safety screw-on cap and the button-filler. An alternative to using an eye-dropper to fill the ink, the button-filler used an external button which connected to the internal pressure plate and deflated the reservoir when pressed.

In 1921, Parker introduced the Duofold pen line. These pens were available in Oversize, Litty, or Junior models, and came in red or black rubber—previously, all rubber pens came only in black. The company added other colors, such as lapis lazuli and jade green, later on in the decade. Originally priced from $5 and up, today these pens, especially the red ones, sell for around $1,000.

Parker continued to be innovative in the 1930s with the introduction of the vacuumatic filler, which worked with a plunger and allowed the entire barrel to act as a reservoir. Some pens also featured a transparent window so the user could see how much ink remained in the barrel. Prices ranged fro originally ranged from $5 to $10.

The next most well known of the fountain pen companies was the Sheaffer Pan Company, which began in 1912 in a small back room of a Fort Madison, Iowa, jewelry store with just seven employees. Its founder, Walter A. Sheaffer; was 45 years old when he risked his life savings to start the company, but his invention of a lever-filled fountain pen quickly proved to be the leader in the industry.

Shaeffer's mechanism used an external lever which depressed a flexible ink sac, but fitted flush with the barrel of the pen when not in use. For the next 40 years, the lever-filler was the most popular design in fountain pens.

In 1920, Sheaffer introduced its Lifetime pen which came with a serial number and a life-time guarantee. A white dot on the pen clip distinguished the pan. Selling for $8.25, they cost almost double what Sheaffer's other pen did. Nevertheless, people bought them. 

Sheaffer continued to influence the pen industry with its introduction of the Radite, the first plastic pen, in 1924---one of your pens. Originally available only in Jade Green in an Art Deco design, it eventually inspired a variety of additional colors.

Over the next 28 years, Sheaffer brought out several other significant products, including a fast-drying, non-clogging formula ink called Skrip, the Balance pen, a bullet-shaped pen designed to balance in the hand, the Crest, the first pen to use a plastic body with a fitted metal cap, the Touchdown, a pneumatic- filling pen, and the Snorkel, a longer edition of the Touchdown.

The introduction of the Pen for Men, an oversized version of the Snorkel, in 1959 put the company way ahead of its competition—indeed, way ahead of its time. Unfortunately, the public didn’t buy it and production ceased within a few years. However, oversize pens came into vogue during the 1990s, so the company produced the Legacy, a pen based on the original Pen for Men.

Even though most people don’t used fountain pens for everyday writing, they offer a bit of nostalgia and a remembrance of days long past.

The Master of Inks

QUESTION: I recently began to collect old bottles. I found and bought an old blue glass bottle with what looks like a spout at a flea market. Do you happen to know what this might have been used for?

ANSWER: It sounds like you discovered a master ink bottle. Master inks could be found everywhere—at universities, in town halls, in schools, and even at Civil War campsites, to record the horrific events and write letters home to loved ones.  Without masters, much of history wouldn’t have been recorded.

People used master inks to fill smaller ink wells. Many survived because they could be reused. People often threw smaller ink containers away after use. Unfortunately, there’s little information about them available.

Prior to the 18th century, ink came in the form of a cake or powder, which the user would mix with water. It was only in the late 18th century that liquid ink in wide-bottomed bottles became widely available. This was a black or blue-black writing fluid that the user dipped a pen made from a goose quill into a small container. Different makers used a variety of recipes, but the most common types were Gall ink, deep black Indian ink  and blue-black ink. P& J Arnold of London was one of the pioneering companies in the ink industry in Great Britain. Other well known English ink companies included Stephens, Price and Hyde, and Cochrane. In the U.S., Sanford and S.S. Stafford were two of the earlier companies. As the ink industry grew, so did the need for ink containers.

Ink bottles differ from inkwells in that makers designed the bottles to serve a purely utilitarian purpose—to hold ink. Inkwells, on the other hand, were often more decorative, the sort of thing you’d want people to notice on your desk. Consequently, inkwells were more expensive than ink bottles.

No single manufacturer had the monopoly on ink bottles. Indeed, just about any company that produced glass dabbled in ink bottles at one point or another. Generally, manufacturers made master inks of glass, ceramic, or pottery. They came in several varieties , including “pourer” inks, used to top off ink wells, and the bulk type used for filling the inkwells.

Master inks are highly collectible. Their larger size allows collectors to display them more prominently than the smaller inks. They also came in a wide variety of colors, and as with all glassware, color is paramount to collectors. The most valuable colors are unusual ones like yellow and purple, while colors like aqua and clear are more common. Embossed bottles or ones with intact labels also increase an ink bottle’s value.
Signs of wear and color variants affect the quality. Some examples carry the residue of stains that still remain. Collectors usually categorize master inks by makers, countries of origin, and age.

Prices for master inks vary greatly from a few dollars for the more common ones and to hundreds of dollars for some of the rarer ones. Great examples from different ink makers can be found from $50-100.