Collectibles for Beer Lovers

 

QUESTION: Along with enjoying a variety of beers, I've also started collecting beer-related items. So far, I've collected mostly small items—bottle openers, coasters, glasses, and a variety of cans from various breweries. But there are so many things out there, I'm not sure what to do next. Can you help me get some direction to my collecting?

ANSWER: Collecting beer-related memorabilia is one of the most popular pastimes. But because the number of items varies greatly, collecting beer-related items can be daunting. 

The Chinese have been brewing beer for over 5,000 years. The Greeks and Romans revered it as a healthy beverage. But during the Middle Ages in Europe beer drinking was popular because beer was cleaner than the water.

Beer has been a part of American culture since the first Virginia colonists began brewing ale from corn in 1587. Adrian Block & Hans Christiansen's brewhouse at the southern tip of New Amsterdam, now Manhattan, was the first brewery established in the New World. 

In 1935, the G. Kreuger Brewing Company of Newark, New Jersey, became the first brewery to sell beer in steel cans. That year, only about 25 percent of all beer sold was packaged in bottles and cans. Breweries sold the rest in kegs.

Breweries have always been competitive with each other. To beat the competition, they used everything from distinctive bottle labels, foam scrapers, serving trays, brightly colored cans„ neon signs, tip trays, cups, T-shirts, hats, and countless other items so consumers would remember one brand over another.

Today, the market for vintage brewery collectibles is hot. But there are so many different items. Key categories include beer cans, beer steins, beer trays, beer signs, beer bottle labels, and bottle openers, plus more unusual items such as tap knobs and bar statues. Many collectors also focus on specific brands.

Beer collectibles consist mainly of bottles, cans, and advertising. Advertising comes on coasters, matchbooks, shirts, beer tap knobs and handles, statuettes, labels, and signs.

One of the most popular beer-related collectibles is beer glasses. They include everything from early hand-blown glassware to modern pint glasses covered in  advertising. In the 18th century, people drank beer in glass goblets at meals. Early stemware designed for beer often bore engraved hops-and-barley motifs.

The glass cups and mugs of the 18th century were simple and smaller compared to today’s versions, as the ale was much stronger than modern beer. Beer mugs were generally made in a cylinder or barrel shape with a handle and no foot. Because they were manufactured in glasshouses that produced bottles and windows, early American mugs were almost always made from colored glass.

In the 1820s, the development of a glass-pressing technique by John P. Bakewell allowed glassware patterns to be mass produced, quickly diversifying the shapes and styles of beer glasses. Though glass manufacturers found it difficult to blow even the simplest-looking tumblers with smooth sides and no foot by hand, pressed glass molds made this form commonplace.

During the 1880s, as breweries expanded and pasteurization allowed them to send products longer distances, beer-glass advertising became popular. A few of these early advertising glasses used color-embossed logos, but most relied on an acid-etching silkscreen process. 

And since  the U.S. has never instituted legal restrictions on beer serving size, American bars have used a variety of serving glasses, including tall pilsner glasses, with a slightly indented waist near the base and the goblet or tulip-shaped glass mounted on a short, sturdy stem.

Though people considered these objects "throwaways" in their day, collectors worldwide now vigorously pursue them. Prices for these collectibles vary widely, so focusing a collection is important from the start. To begin, you might build on what you already have or start in a new direction of interest. It's easy to start small, with something inexpensive like coasters. Serving trays, signs, a cans produced after Prohibition are all good places to start.

So what determines pricing for brewery collectibles? As with other antiques and collectibles, it's condition, condition, condition," since most brewery collectibles have been used. Pristine examples can command high prices, and they can be difficult to find. While rarity is important, for collectibles where multiple examples exist, condition rules.

To read more articles on antiques, please visit the Antiques Articles section of my Web site.  And to stay up to the minute on antiques and collectibles, please join the over 30,000 readers by following my free online magazine, #TheAntiquesAlmanac. Learn more about "Advertising of the Past" in the 2023 Spring Edition, online now. And to read daily posts about unique objects from the past and their histories, like the #Antiques and More Collection on Facebook.

Tear and Paste

QUESTION: I just purchased a beautiful antique papier-mâché tray at a large antique show. I’ve never seen anything like it before. In fact, I never knew that furnishings and accessories were made of papier-mâché. I still remember making things out of papier-mâché as a kid in school. Is this the same process? If so, it must have taken a long time to make this tray. What can you tell me about it?

ANSWER: Yes, for nearly 100 years papier-mâché furnishings and accessories were all the rage. And, no, the process is a bit different from the sculptures you made in art class when you were a kid.

People don’t often think of papier-mâché when they think of furniture and accessories. But, in fact, it was very popular, especially at the beginning of the 19th century. Papier-mâché is quintessentially Victorian.

Its origins date back to 17th-century England when craftsmen first used a compound of plaster mixed with organic matter such as straw, bark, or nettles to create molded architectural ornaments. The idea was for the frugal decorator to use these prefabricated cornices and rosettes instead of hiring a plaster craftsman.

By the early 18th century, cabinetmakers began using papier-mâché to decorate the frames of looking glasses, chairs, tables. But its main application remained architectural.
               
Beginning in the last quarter of the 18th century, manufacturers began turning out a range of accessories. Trays were popular through the early decades of the 19th century,  Makers produced tea trays, in particular, in great numbers, in response to the spread of tea drinking among the English middle class.

From the beginning, makers japanned papier-mâché housewares by covering them with a hard varnish imitation of Asian lacquer. At first, they kept the decoration simple, with a black or red ground embellished with a guilt border. But in the 1790's they covered the entire surface. Not surprisingly, Chinese scenes were popular. A typical example of this fanciful Oriental taste are the gilt and black trays featuring a painting of a Chinese couple standing by a pagoda. Trays like this have sold for over $6000.

Collectors highly value Regency papier-mâché. One of the finest pieces to come on the market in recent years was a Chinoiserie tray that sold at auction for $24,000. However, this tray didn’t have the black faux-lacquer ground, but instead it had a brightly painted landscape—a rocky topography shaded by willow trees, pagoda-like structures, and men wearing pointy hats. In this case, the artist went overboard with cliches of Oriental life. This decoration form is attributed to Henry Clay, who was the most prominent papier-mâché manufacturer at the time.

Clay promoted papier-mâché as a new material on which to paint. Another tray bearing Clay’s stamp had an overall floral design on a black ground. The lush realism of this tray showed the high level of skill of the industry’s painters. It sold for nearly $3500.
                               
Clay was also a pioneer in manufacturing papier-mâché furniture.  He undertook a series of experiments in durability that resulted in a much stronger material. His experiments enabled papier-mache to be sewn and dovetailed, just like wood.

The firm of Jennens and Bettridge, which took over Clays business in 1816, continued to find new uses for papier-mâché. They expanded the traditional repertoire of salvers and snuff boxes to include the whole suites of chairs, and even piano casings.  Even though papier-mâché was sturdy, manufacturers still thought it prudent to build the seating furniture around a wooden frame.

Jennens and Bettridge developed the use of mother-of-pearl in the decoration of papier-mâché.  Since they patented their technique in 1825, the date makes a useful dividing line in trying to date.

It can be a challenge to find papier-mâché pieces in good condition. But they’re easy to recognize, with their japanned surface and painted floral motifs, highlighted by mother-of-pearl inlay. Though a piece may appear in a high-end antique shop from time to time, collectors find most at middle to high-end antique shows.