Did Someone Yell Fire!

QUESTION: My father was a fireman for most of his life. During that time he acquired a modest collection of firehouse memorabilia. When he passed away last year, I became the keeper of the flame, so to speak. And while I appreciate the history of these items, I don’t really know much about them. What can you tell me about firehouse collectibles? What is the market like for them today and are they readily available should I wish to expand his collection.

ANSWER: Firehouse memorabilia is one of those very specialized areas of collectibles. Not everyone is into them. In fact, many of the collectors of these objects are or were firefighters and, therefore, have a nostalgic attachment to them. And while fire fighting today is very much high-tech, it wasn’t always that way. The days of throwing buckets of water on a fire are not that far long gone.

To understand what firehouse memorabilia collectors seek, and why, it’s helpful to know something about firefighting history. Man has been struggling to control fire ever since its discovery. In 24 B.C., the emperor Augustus Caesar established groups of watchmen to stand guard, watching for fires in the city of Rome. If and when one of them spotted a fire, he would alert the local residents who would work together to fight the blaze.

The regulation of building construction, as well as restrictions on the building of intentional fires, became an integral part of many future legal codes. Until the time of the Great Fire of London in 1666, individuals were responsible for rebuilding anything damaged by fire, a responsibility shared with their neighbors. As a result of this shift in responsibility, insurance companies established fire brigades of their own, consisting of hired crews of firefighters.

American colonial cities relied on these fire brigades to protect their insured properties. Building owners prominently displayed fire marks, symbols of various insurance companies, on their buildings to indicate to firemen those buildings that fell within their realm of responsibility. Not only did firemen refuse to fight fires not covered by their sponsoring insurance companies, but they often hindered the progress of competing fire brigades.

While Benjamin Franklin founded the first volunteer fire brigade in 1736, it wasn’t until  April 1, 1853, the country's first full-time paid fire department was established in Cincinnati, Ohio. The introduction of the steam fire engine, which provided steam-powered pumping, coincided with this.

But what sparked the interest in firefighting collectibles. Mostly it’s a fascination with personal courage and pride in this special brotherhood.

Some firefighting collectibles are becoming scarce. Fire alarms are of particular interest. Prices for them have increased dramatically over the years. Alarms can sell for as much as $10,000. Other items collected include hand lanterns, engine lamps, uniforms, axes and hoses, fire marks, nozzles, apparatus adornments, as well as presentation items, such as trophies, pocket watches and plaques—the list is seemingly endless.

To collect firehouse memorabilia is not only to pay homage to the men who fought fires,  but also to appreciate the increasingly sophisticated tools they used. However, the collecting field isn’t limited to firefighting tools alone. It also includes non-firefighting memorabilia, as well.

The earliest American firefighting collectibles aren’t related to those who fought fires, but to those who alerted others of the imminent danger. People used rattles, resembling large wooden noisemakers, at the first sight of smoke or flames. Those  commonly used between 1658 and the early 1800s are less than a foot long and have a paddle-like rattle attached at a right angle to a round wooden hanger.

Collectors also seek leather buckets. Typically holding three gallons of water or sand, they’re generally made of cowhide stretched over wooden frames and were individually marked to ensure safe return to their owners following the fighting of a fire. It’s these identifying marks that make them particularly appealing to collectors.

Other collected items range from fire-fighters' hats and helmets to actual fire engines,  including steam pumps as well as red fire trucks. Collectors also seek certain badges and ceremonial items like trumpets. Ephemera collections often turn up firehouse-related articles, as well.

Because it’s getting more and more difficult to find good items, collectors are paying more for what they do find. Many have broadened their collections to include fire insurance memorabilia. And then, of course, there are the modern-day firehouse collectibles like caps and T-shirts.

As with any category of collectibles, collectors need to be wary of reproductions and fakes. The best advice is for you to limit your purchases to well-documented items from reputable sources.

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Better to See You With My Dear

QUESTION: While recently going through some boxes in my attic, I discovered a pair of old spectacles that seem to be in rather good condition. Are these collectible?

ANSWER: While most people might just give these away or sell them at a yard sale, you should definitely hang on to these, as they’re very collectible.

Lots of people wear eyeglasses. With the advent of contact lenses, some don’t even show it. But these devices, first invented to magnify text, have become as ubiquitous as cell phones in today’s society.

Church sales and thrift shops often get plastic bags filled with old eye glasses, as people either get new ones or contact lenses. Today, eye glasses are not only a seeing aid but also a fashion accessory. And, what about the spectacles you found in an old family trunk and sold at your last yard sale? Believe it or not, just like other out-of-fashion accessories, those glasses are collectible.

Spectacles have been around since the late Middle Ages when wealthy people in Italy and China wore them. Another early form of sunglasses were goggles, first created by the Eskimos to protect their eyes from snow glare.

The use of eyeglasses grew by the 18th century as their technology improved. They became fashionable when famous Americans began wearing them. Everybody is familiar with the paintings of Benjamin Franklin wearing the bifocals that he invented. Franklin created the first bifocals in the 1760's while living in London.

Thomas Jefferson created the first oblong lenses for his reading glasses to increase his field of vision. Before that glass lenses were round or oval. Later, President Theodore Roosevelt started a fashion trend when he first wore pince-nez glasses—those held on a person’s face by a spring on the nose.


While women didn't wear glasses in public in 18th century America, one woman advertised in 1753, that she “grinds all sorts of Optic Glasses to the greatest perfection." Known in her ad only as "the widow Balthasar Sommer on Pot Baker's Hill,'' she became the earliest recorded American eye glasses maker. But it wasn’t until after the American Revolution that people recorded eye glasses as made in America.

By the early 19th century, glasses adjusted over the ears to fit the entire family. A device called a “Temple" slid back and forth. As with earlier versions, their sole purpose was to magnify.

Eye glass makers used gold and silver for early frames, mostly because they were the most common workable metals available. So a pair of glasses wasn’t cheap. If you think you have old ones, check the hallmark to learn date, country and maker.

Don't pass up examples in brass or steel. They could be 18th or 19th century. In this plastic age, look for authentic tortoise shell frames. Don't limit yourself to 19th and early  20th-century glasses. Remember, they’ve always been made in the fashion of their day.

The 1970's were a great time for unique styles. An example would be the tinted sunglasses designed by artist Peter Max, along with his Pop Art design cases. And don’t forget the outsize sunglasses in the Jackie Kennedy Onassis style. Celebrity styles with funky frame, like the ones worn by Elton John and John Lennon’s small,   round, black-rimmed ones, also debuted in the 1970's. Never mind that the frames are plastic. Like other 1970's objects, they’re also collectible.

If you wish to collect eye wear and related objects, you can build a collection of not only pairs of eyeglasses showing a variety of frames and clear and tinted lenses, but also  opticians' trade signs, related documents, and paintings of people wearing glasses. In most cases, you’ll find many eye glasses for sale for a song at flea markets, church and garage sales.

Predicting the Value of Farmer’s Almanacs

QUESTION:  I happen to come into about 20 old and different Farmer’s Almanacs ranging in issue dates from 1867 to 1930.  I haven't been able to find any information on them. Is there a link you can refer me to so I can get an idea of their value?

ANSWER: Before looking at how to determine the value of your almanacs, it’s important to note that over the last two centuries there have been several almanacs with the name “Farmer’s” in them. Benjamin Franklin first published his now famous Poor Richard’s Almanac back in the 1732 and continued doing so until 1758. At its peak, Franklin printed over 10,000 copies for each edition.

By the late 18th century, many almanacs included the term “Farmer’s” in their titles because the young nation was mostly one of farmers who wanted to know what the weather would be like for the coming year, so they would know when to plant and harvest their crops. Accurate weather prediction meant the difference between survival and starvation.

Of the two publications known today as farmer’s almanacs, the Old Farmer's Almanac, originally published in 1792 and still published every September, is the most widely known. Begun by Robert Thomas, it’s first editor, the Old Farmer's Almanac grew from a circulation of 3,000 copies to over 9,000 in just three years. The cost was only nine cents. Thomas added the word "Old" to the title of his almanac in 1832, then removed it three years later.

Since Thomas’ almanac format wasn't unique, perhaps his weather predictions were more accurate. Based on his observations, Thomas devised a complex series of natural cycles to create a secret weather forecasting formula, resulting in unusually accurate forecasts.

John H. Jenks bought the publication after Thomas died, then put the word “Old” back in the title in 1848. Three years later, Jenks hired Henry Nichols to create the Almanac’s trademark four-seasons cover that has remained with the periodical ever since.

In 1861, Charles L. Flint became editor and focused the Almanac’s content on farming to provide his growing readership with information they could use. By 1900, the Old Farmer’s Almanac had yet another editor, Horace Ware, who aimed the publication beyond farmers to a more general readership by using features on nature and modern life instead of farming..

After surviving the World War I and the Depression, the Old Farmer’s Almanac entered a new era under the leadership of Roger Scaife who became editor in 1936. Its circulation had fallen from a high of 225,000 in 1863 to just 88,000. He mistakenly eliminated the weather forecasts, thinking that his readers didn’t need them, and almost killed the publication.

Robb Sagendorph, owner of Yankee Magazine, bought the Old Farmer's Almanac in 1939 and moved it to Dublin, New Hampshire. He reinstated Thomas’ original format and style the readership of the publication began to grow once again.

The other publication, known simply as the Farmers' Almanac, has been in continuous publication since 1818. David Young and Jacob Mann founded their little publication in Morristown, New Jersey two years after what has come to be known as “the year without a summer.” During that year, farmers crops suffered severely from the unusual weather, so Young and Mann decided to create a publication which would offer them accurate weather forecasts to prevent a disaster like that from happening again.

Astronomer Samuel Hart Wright succeeded Young in 1851to become the second of only seven editors of the publication. Eventually, the publication’s offices moved from Morristown to nearby Newark, New Jersey.

Ray Geiger served as the Farmers’ Almanac's longest-running editor, from 1934 until shortly before his death in 1994. In 1955, he moved production of the Farmers' Almanac from Newark to its current headquarters in Lewiston, Maine. Today, his son, Peter Geiger continues to publish the Almanac.

Published by the Almanac Publishing Company, of Lewiston, Maine, the Farmer’s Almanac has become noted for its long-range weather predictions. Its readers claim the Almanac is 80-85 percent accurate in its predictions. But studies comparing the actual weather with the Almanac’s predictions have shown that the predictions aren’t any more accurate than pure chance.

Although the editors of the Farmer’s Almanac make predictions as far as two years in advance, they’re . re highly secretive about how they go about making them, only saying that they rely on astronomical data like the positions of the planets, sunspot activity, and tidal action. To put an identity to the forecasts, the editors created a fictitious forecaster Caleb Weatherbee.

Writing to down-home farmer folk, the almanac has also included its own special blend of advice on farming, gardening, fishing, and cooking over the years, as well as human-interest articles. Its editors have continually focused on the themes of simplicity, sustainable living, and conservation.

Old copies of both the Old Farmer’s Almanac and the Farmer’s Almanac abound. Since each was the farmer’s best companion and popular with even regular people for its weather predictions, there are a lot of old copies hidden in people’s attics and basements. Unfortunately, these aren’t always in the best condition. And as with any other collectible, especially paper ones, condition is of prime importance when determining value. The earlier issues from the 19th century, printed on paper high in rag content, are usually in much better condition, but dampness can play a big role in paper deterioration. But even in the best condition, the sheer number of copies out there prevent the value from becoming too high.

The average selling price on eBay for a late 19th-century copy of the Old Farmer’s Almanac from say the 1870s is only about $12-15. Editions from the 1920s sell for only about $4. Abebooks.com, an online used bookseller, has an 1890 edition in fair condition priced at just $9.

And while these prices are a far cry from the publication’s original price, these little gems are probably more fun to read than to consider as an investment.