Collecting Antique Furniture for Beginners

 

QUESTION: I really admire the workmanship and beauty of antique furniture, but I live on a budget, so collecting it seems to be out of my reach. How can I start purchasing antique furniture to begin my collection?

ANSWER: Even though you’re on a budget, it’s still possible to buy some antiques. The place not to start is in antiques stores and shows. Instead, search out consignment and thrift shops for pieces from the late 19th to early 20th century. And since the legal definition of an antique is an object that is at least 100 years old, that means that furniture dating to the early 1920s falls within the antique realm.

Another place to search for pieces is in used furniture stores. While there are fewer of them today, it’s still possible to find one or two. Look for pieces that can be used or repurposed to fit into today’s lifestyle without changing them significantly.

If you’re a beginning collector interested in antique furniture, the old saying holds true: "Buy what you like and can live with, buy the very best you can afford, buy from reputable dealers with experience, and if you do all these things your investment will continue to appreciate."

Antique furniture covers a wide range of types, designs, historical periods and styles—American, English, Continental (German and French) and Asian. All have their following, and within each of these classifications are sub-classifications indicating both style and historical period. Practically, antique furniture can be considered as English, European, American, and Chinese.

Wood type-mahogany, walnut, oak and pin predominate—significantly affects value in antique furniture. The type of furniture, practicality, hardware and construction details are also important in determining value as is the originality of all the composite parts. Many pieces of antique furniture have replacement panels or have had hardware added due to breakage. This lowers the value of a piece considerably. Also, many owners of antique furniture use lemon oil under the misguided belief that it helps preserve the wood and therefore enhances its value. This can’t be farther from the truth. All lemon oil does is dry out the wood, darken the patina, and decrease a piece’s value. The only polish that should be used is pure beeswax. Before purchasing a piece of antique furniture, rub it to see if an oily film is left on your hand.

Begin by purchasing small pieces, gradually building up to larger more expensive—and thus more valuable—pieces as you expand your collection and your budget. While antique furniture made before 1830 should be purchased with its original patina. However, it’s acceptable to buy Victorian and later pieces with their finishes cleaned or restored. Some furniture styles, like Biedermeier from Austria, actually increase in value once they are restored.

But most antique furniture collectors don’t buy for investment potential alone. Most pieces can still be used, so buying a piece of furniture that will not only fit into your decor but will have some use adds to its enjoyment. And while a few collectors purchase furniture from a particular period, most mix styles and periods based on their personal interest. To help varied pieces fit better together in the same room, you should try to use similar wood tones.

To read more articles on antiques, please visit the Antiques Articles section of my Web site.  And to stay up to the minute on antiques and collectibles, please join the over 30,000 readers by following my free online magazine, #TheAntiquesAlmanac. Learn more about "In the Good Ole Summertime" in the 2024 Summer Edition, online now. And to read daily posts about unique objects from the past and their histories, like the #Antiques and More Collection on Facebook.

Cleanliness is Next to Godliness

 

Unrestored Victorian bathroom

QUESTION: My husband and I recently bought an old Victorian house and would like to restore the bathroom to its original look. Except we can’t seem to figure out what that look was. There are so many variations. Can you help us figure out which antique bathing accessories to use and perhaps a little about the decor?

ANSWER: Before you can begin to restore the bathroom in your Victorian home, you need to find out its age and style. A series of revival styles—Italianate, Renaissance Revival, Rococo Revival, Gothic Revival, Victorian Cottage, etc.—captured the imaginations of Victorian architects and they not only designed the exteriors in styles but the interiors to match. 

Until at least the 1870s, daytime trips to the outdoor toilet or “privy” were essential regardless of the weather. Somewhere around 1800 in the United States privies began to move indoors, usually to an old clothes closet, from which the term “water closet” or “WC” originated.. At first they generally had an earth filled hopper that could be removed for cleaning. An easily opened window and a

Victorian outhouse

tight fitting door kept fumes from the rest of the house. Even bathing demanded only a wooden tub and a warm kitchen, when people bothered at all. Washing up at the bedroom washstand where water froze in the pitcher in the winter did little to encourage cleanliness.

Even in the 1840s, people denounced bathtubs as a foppish English luxury that would corrupt the democratic simplicity of the American way of life. Doctors warned of "rheumatic fevers, inflamed lungs and zymotic diseases."

People installed the earliest Victorian bathrooms into regular rooms in their existing houses. They fitted the fixtures into wood to make the room feel similar to a parlor or a bedroom. Everything felt like furniture, and the room was decorated as such, with paintings, wallpaper, wainscoting, fabrics, and rugs—everything that would have been  in a normal room, but with a tub, sink, and toilet.

Wooden Victorian bathroom

Eventually, the Victorians realized that maybe wood wasn’t the best choice for a bathroom, especially when they installed hot water pipes and tanks in houses towards the late 19th century. It was then that a fascination with cleanliness occurred, and rooms became tiled covered in linoleum for the less wealthy. Bathroom fixtures, such as sinks and toilets, became made of one piece of porcelain which was so much easier to keep clean. Homeowners considered white a clean color that they would know when to clean.

Early Victorian bathroom made to look like a regular room

When bathrooms became stand-alone rooms, they were usually located at the back of the house, as out of the way as possible, to deal with sewer smells. With the invention of the S-Bend sewer system, plumbing could keep the smells out, so bathrooms could be located anywhere in the house, often under stairs or in former dressing rooms. The bath and sink were commonly in one room, and the toilet in another.

Early clawfoot bathtub

Adam Thompson of Cincinnati created the first built-in bathtub—a lead-lined mahogany monstrosity that weighed a ton. And when President Fillmore installed one in the White House in 1851, people criticized him for importing a "monarchial luxury into the official residence of the Chief Executive of the Republic."

The clawfoot bathtub became popular by the end of the 19th century as hot water tanks became more prevalent. Prior to this, people bathed in tin tubs. Often, in early bathrooms, to get the furniture feel, bathroom designers surrounded tubs with mahogany.

Enameled cast-iron Victorian clawfoot bathtub

But a growing belief that cleanliness was next to godliness, made the permanent bathtub inevitable. In 1`886, Good Housekeeping Magazine noted, "Cleanliness of the body being essential to the health of the individual, it must be admitted that a bathtub should be looked upon. not as a luxury, but as a necessity in even the humblest home.” 

At the time, homeowners could choose from seven basic types of bathtubs—enameled cast iron, tinned and "planished" copper; molded earthenware, tin, or less durable wood or zinc. Although porcelain tubs were the best choice, they cost the most.

Victorian porcelain pedestal sink

For the adventurous there were also disappearing tubs that folded into what passed as a wardrobe, electric tubs that sent a mild galvanic "curative" shock through the water, and the combination exerciser and shower, featuring step-pedals to power the flow of water. By this time, the bedroom washstand had given way to an elegant porcelain sink set into a marbletop with high-rise brass faucets. The smelly "water-closet" had become the china flush toilet and a source of pride.

More than simply utilitarian now, homeowners expected their bathrooms to complement the interior decor of their homes. The housewife learned to coordinate her varnished wallpaper to the rug, the curtains and even the stained glass window. 

Antique fixtures—soap dispensers, towel holders, free-standing towl racks, fancy hooks, and tumbler and toothbrush holders—all evoke a specific era in bath design. Victorian bathroom fixtures were often ornately designed, sporting gilded metals, intricate shapes, and occasionally sculpted leaves or wildlife. 

Victorian gas lamp bathroom sconce

Lighting fixtures are another option for adding a Victorian look to a bathroom. Brass was dominant material for these, as its durability and availability made it a great choice..

Early Victorian bathrooms had gas lamps out of necessity. By the second half of the 19th century, these were wall mounted. Electrical lighting fixtures didn’t appear in bathrooms until the mid 1890s, and then only in homes of the wealthy.

Architectural antique shops are the best place to find authentic antique Victorian bathroom fixtures. Some are also available online. For those that can’t be found, there are plenty of excellent reproductions available online. 

The same can be said for floor and wall coverings. Both are available in reproduction at home stores in reproduction patterns and durable materials. To get a sense of what bathrooms looked like in the second half of the 19th century, search for old photos of them online and study their contents and design.  

To read more articles on antiques, please visit the Antiques Articles section of my Web site.  And to stay up to the minute on antiques and collectibles, please join the over 30,000 readers by following my free online magazine, #TheAntiquesAlmanac. Learn more about  world's fairs in the 2020 Summer Edition, online now. And to read daily posts about unique objects from the past and their histories, like the #Antiques and More Collection on Facebook.

Woven Beauty

QUESTION: I recently purchased a wicker table at an antique show. It doesn’t have any markings and the dealer who sold it to me couldn’t tell me much about it. I love this piece and it now occupies a prominent place in my den. Can you tell me anything about it? And can you also tell me a bit about the origins of wicker in general.

ANSWER: Wicker has been around for quite a while, but your table originated during the peak of its popularity. Back then, the ornateness of wicker brought an element of taste to middle-class American homes.

Back in the 17th century, the Dutch made wicker and brought it to England before sailing across the Atlantic to the New World. For the next several centuries objects made of wicker imported from Europe decorated American homes.

Until the 1850s, furnishings were inexpensive and serviceable, therefore easily disregarded. Then through a changing cultural, economic, and social conditions, wicker became a status symbol for America's rising middle class.

Although the mass production of wicker began in America, the main materials used in its manufacture—cane and reed—came from rattan palms, which grew wild in Asia. In the early 1840s, Cyrus Wakefield, a shrewd young Yankee grocer, noticed huge quantities of rattan being discarded around the Boston docks after serving as packing material to protect cargo on clipper ships returning from Asia. Discovering that chairs and tables could be made more cheaply from this strange material than importing finished pieces, he began making small pieces of furniture using this discarded rattan.

In 1873 he founded the Wakefield Rattan Company in Wakefield, Massachusetts. By the end of the decade, his firm accumulated sales of over $2 million. At its peak, his  company employed 1,000 workers in 30 buildings in Wakefield and another 800 in  Chicago.

Wakefield's successes encouraged Heywood and Brothers Company, wooden chair makers in Gardner, Massachusetts, to begin making wicker furniture in 1876. For the next 20 years, the two companies competed fiercely and dominated the industry.

Both companies responded to economic prosperity following the Civil War which enabled middle class families to leave America’s dirty, crowded cities for clean, airy suburbs, prompting a demand for wicker furnishings. These light, airy pieces were ideal for the new gabled and turreted Queen Anne-style homes and for the verandas of resort hotels catering to the new vacationing middle classes.

Because it was easy to keep clean, wicker attracted those concerned about sanitation, and its lightness, adaptability and design potential, Victorian tastemakers loved it. Wicker not only satisfied those with good taste but did it at an affordable price.

When the Aesthetic Movement swept America in the 1870s, stressing the uplifting moral and spiritual influence of artistic decors, tastemakers recommended the use of ornamental wicker in people’s homes. This emerging middle-class interest in aesthetically correct furniture encouraged Wakefield and other manufacturers to create increasingly ornate pieces that people associated with art and beauty. Fancy wicker enhanced the ostentatiously overdecorated Victorian parlors and expansive porches while proclaiming the taste of its owners.

Curling, shaping and twisting pliable lengths of wetted reed into whimsical scrolls, spirals, and whirlygigs, skilled craftsmen fed the Victorian fever for more exotic wicker objects. They incorporated a variety of astronomical and botanical forms, flags, Oriental fans, shells, and ships into their elaborate designs. Two of the most unique pieces was the tete-a-tete, in which two people could sit side by side or the serpentine "Conversation Chair,"  in which a courting couple could sit facing each other.

Elegant tables were important to the decor of Victorian homes. With its intricate grid of legs and embellishments, fancy skirt and caned top, a square table would have added grace and utility to its owner's room.

The growing demand for more elaborate forms reached its peak during the 1890s, when American wicker became more fanciful and ostentatious. A good example is the "Fancy Reception Chair,” featuring intricate tiny scrolls and frilly curlicues. Often designed as show pieces for elegant parlors rather than for actual use, these ornate chairs are fairly hard to find today and often sell for upwards of $1,000 in good condition.

By the turn of the 20th century, Victorian ornate design faded in favor of simplicity. Design reformers instead promoted the "Bar Harbor" style, simplified wicker furnishings with wide open, diagonal latticework that would fit plain, open interiors.

Just before World War I, the Arts and 'Crafts movement inspired American wicker   manufacturers to create boxy, unornamented shapes ideal for the minimalist interiors of bungalow homes. Arts and Crafts leader Gustav Stickley produced a line of square and severe willow furniture using geometric designs. However, by the  beginning of the Great Depression, wicker was all but dead in America.