Who's for a Game of Cards?

 

QUESTION: Recently, while browsing though an antique shop, I came across two tables. Both had fold-over tops. One seemed like it was from the 18th century, the other from the Empire period of the 19th. The dealer unfolded the top of the older table to reveal a green felt cloth inlaid into it. He said that this was a card table. When he unfolded the top of the second table, it had no felt inlay and was plainly finished. He told me the second table was a tea table. I always thought they were both card tables. Can you tell me the difference and when card tables started to be used?

ANSWER: There’s a difference between the two tables, although subtle. Back in the 18th century, furniture was expensive as each piece was handcrafted to suit the customer. People woud have used their card tables as tea tables by just putting a tablescloth over it. But by the 1840s, furniture had begun to be at least partially machine-made, and manufacturers kept the cost down by making card tables plainer. 

Playing cards were probably invented during the Chinese Tang Dynasty around the 9th century as a result of the usage of woodblock printing. Playing cards became a diversion both in public houses and private homes. Early playing cards had neither suits nor numbers. Instead, they had instructions or forfeits for whoever drew them. Usually, playing cards revolved around drinking alcohol, especially in the public houses.

The earliest game involving cards occurred on July 17,1294 when the Ming Department of Punishments caught two gamblers, Yan Sengzhu and Zheng Pig-Dog, playing with paper cards. The Department confiscated the wood blocks used for printing the cards together with nine of the actual cards. By the 11th century, playing cards had spread throughout Asia and eventually made their way to Egypt. Playing cards probably came to Europe from the East, arriving first in either Italy or Spain.

By the early 18th century, specially made tables for playing cards began to appear all over England. The first card tables first appeared in the American Colonies around 1710. Card tables became symbols of wealth and the consequent expansion of leisure time and soon became a social necessity in every fashionable home. Without modern entertainment devices, about the only forms of evening entertainment was playing music, dancing, and of course, playing cards. 

Cabinetmakers constructed most of these imported English card tables of mahogany or walnut. Each had a hinged two-leaf top that, when open and supported on a swing leg, revealed an inner surface lined with leather, felt, or the coarse woolen cloth called baize. Since household lighting was usually inadequate for evening play, most of the tables had four turrets projecting from the corners to accommodate candlesticks. In addition, there were often “guinea pools” or “fishponds”—shallow dishlike depressions to hold money, dice, or counters—and, in Chippendale styles, a single drawer in which to keep the cards. The tables stood on graceful cabriole legs, meant to resemble a woman’s shapely calves, but their backs, unseen against the wall, remained unfinished.

Since so many of these tables were highly decorative and also bore their makers’ marks, they provide valuable evidence of the varieties of carving, inlay, veneer, and other detail used by the cabinetmakers, as well as of regional characteristics. Tables with bowed fronts were popular in Boston and Salem, and five- and six-legged examples appeared in New York.

Some people used card tables for purposes other than for playing cards. Unfortunately, tablecloths only covered over the fishponds, often causing accidents and breakage.

In Puritan New England and Quaker Philadelphia, as well as in the South, people bet huge sums on cockfights and horse races, on bull and bearbaiting. Doctors and lawyers would wager their fees at the card table, and the “devil’s prayer book”—a deck of playing cards—could be found everywhere.

From the beginning of the United States, gambling overpowered every effort to restrain it. By the late 18th century every fashionable home had a card table. Still, most households reserved the card table for recreational use.

In the upper-class 18th-century American home, ladies played cards at afternoon tea parties where guests might win or lose hundreds of dollars. In the evening, families would summon servants to bring the card table into the center of the drawing room after dinner, as card playing was a primary form of evening entertainment. Players became embroiled in spirited games of whist, a simpler foreunner of bridge, pokerlike brag, quadrille, or any of the several other games while spectators observed the action. 

When not in use, card tables in most households remained folded away to become consoles or side tables. Servants set card tables against the wall when not in use, sometimes with the upper half raised as a kind of ornamental backsplash.

After about 1840, card tables began to lose the felt inlaid on their surface. People still played cards but now these tables came into popular use as tea tables. With a smooth top, minus the fishponds and candlestick rests—indoor lighting had been much improved—it was now possible to place a tablecloth over the table without the fear of anything toppling due to the former depressions. In many cases, these table featured graceful rounded corners and were still being made of mahogany or walnut.

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Behind the Eight Ball

QUESTION: When I was a teen, I used to spend my afternoons after school at the local Boys Club playing basketball and pool. In fact, I got pretty good at pool over the years. Now that I’m older, I’ve gotten back into pool. Only today, they call it billiards. I also like to collect things. Is there such a thing as billiards memorabilia?

ANSWER: Actually, there is, but the market for billiard-related items is pretty steep. But let’s take a look back at how this game began.

Billiards began as a lawn game similar to the croquet played sometime during the 15th century in France.

During the reign of Queen Elizabeth I of England, the game had moved indoors to a wooden table with green cloth to simulate grass and a simple border around the edges. The term "billiard" came from the French for either the word "billart," one of the wooden sticks, or "bille," a ball. Since the early 19th century, it has been known as the "Noble Game of Billiards," but in fact all sorts of people played the game from its beginning. In 1600, Shakespeare mentioned it in his play "Antony and Cleopatra."

When players brought the game indoors, players shoved the balls rather than struck them with wooden sticks called maces. The cue stick didn’t appear until the late 17th century. When the ball lay near a rail, the mace didn’t work because of its large head. Players then would turn the mace around and use the end of its handle to strike the ball. The handle was called a "queue" meaning "tail" from which came the word "cue." For a long time only men were allowed to use the cue. Women had to use only the mace because people felt they were more likely to rip the cloth with the sharper cue.

At some point, a player used chalk to increase friction between the billiard ball and the cue stick. Performance improved dramatically, There are four distinct shapes in various colors---square, round, triangular and wafer. The square variety is by far the most common. The  earliest chalk was white, but the majority today is green or aqua to match the felt on the tables.



Early cues typically varied in length between 54 and 57 inches for pool, and between 60 inches and longer for billiards. The finer cues were normally four times more expensive than the common "house cue," reaching as high as $13 for a tournament-trophy quality model. Around the turn of the 18th century, the leather cue tip appeared. This allowed a player to apply side-spin, topspin, or even backspin to the ball. All billiard/pool cues used to be one single shaft until the two-piece cue arrived in 1829.

Billiard/pool tables originally had flat walls for rails. Their only function was to keep the balls from falling off the table. Players originally called them "banks" because they resembled the banks of a river. They soon discovered that the balls could bounce off the rails and began deliberately aiming at them, and thus the "bank shot" was born. This is where the billiard ball is hit toward the rail with the intention for it to rebound as part of the shot.

Wood made up the bed of a billiard table until around 1835, when slate became popular due to its durability for play and the fact that it wouldn't warp over time.  As for the size of billiard tables, a two-to-one ratio of length to width became standard in the 18th century. Before then, there were no fixed table dimensions. By 1850, the billiard table had essentially evolved into its current form.



The game of billiards has had many variants. Players referred to a table without pockets as a "billiard table," while those with pockets were called "pocket billiard" tables. The term "carom table" was used in the early days of the sport to denote a billiard table without pockets. To carom meant to strike two balls at the same time with the white cue ball.

The sizes of billiard balls ranged from one inch for children's tables, to 2½ inches in pocket billiard balls, to as large as 2 3/4 inches in the carom variety. The most common material used was clay. And although manufacturers tried many other concoctions, they eventually settled on some type of composition resembling clay. Celluloid balls first appeared   in the late 1800s and proved to be the best substitute for ivory available at the time. While the makers of clay balls claimed that the celluloid balls occasionally exploded upon contact, this wasn’t true. What they did do was shatter during cold weather when left overnight in poorly heated pool rooms.

Though clay, ivory, and numbered balls were available for over 150 years, and the basic appearance of early billiard cues stood unchanged for much longer than that. Of the more than 150 independent billiard table manufacturers from the early to late 19th century, only a handful were in business for more than a few years. Many combined forces to improve sales and often bought out competitors.

And though the term "pool room" now means a place where people play pool, it had a very different meaning in the 19th century. Back then a pool room was a betting parlor for horse racing. Owners installed pool tables so patrons could pass time between races.

By the 19th century,  ballrooms of the wealthy featured highly carved and/or inlaid, exotic billiard tables. But, it wasn't just the well-to-do who played. For more than a century, even small towns had a pool hall. Businessmen and politicians transacted many deals around pool tables. Gambling also occurred, which is where the term “pool hall” originated. The most common place in town for placing bets or taking chances on a “pool” was the billiard parlor, and these smoky establishments soon became known as “pool halls."



Unfortunately, "pool halls" began to get a bad name and this reputation slowly dimmed the lights on the honorable game of billiards. Hundreds of them began to falter and close across the country in the 1930s and 1940s. Many politicians were advocating the closure of billiard rooms in an attempt to "clean up their communities" as part of their campaign platforms, all the while playing billiards in the homes of their upper-class constituents.




While the memorabilia from this field is amazingly diverse, finding early items isn't easy. It takes persistence, great patience and sometimes deep pockets to put together a collection.

To read more articles on antiques, please visit the Antiques Article section of my Web site.  And to stay up to the minute on antiques and collectibles, please join the other 18,000 readers by following my free online magazine, #TheAntiquesAlmanac. Learn more about western antiques in the special 2019 Spring Edition, "Down to the Sea in Ships," online now. And to read daily posts about unique objects from the past and their histories, like the #Antiques & More Collection on Facebook.  

It All BeganWith an Elephant

QUESTION: I recently found a darling little felt elephant pincushion in a local antique shop. The dealer said it was a Steiff, but I thought Steiff only made teddybears. Did the company make other things? What can you tell me about my little elephant?

ANSWER: Believe it or not, you bought one of the items that Steiff made. The company has made fine quality of teddybears since they produced their first bear in 1903, but it didn’t start there. Over two decades before, Margarete Steiff designed a small felt elephant that she made as both a pincushion and a child’s toy.

Margarete Steiff faced a lot of challenges before coming a successful businesswoman. Even before she could walk, she lost the use of her legs from polio. Confined to a wheelchair as she grew up, she became a skilled seamstress and ran a successful dress making enterprise from her home in Germany. She gave her little elephants to friends and neighbors.

In 1880 she sold eight of the elephants, thus marking the beginning of the Margarete Steiff Toy Company. Her brother Fritz thought her elephants appealing and in 1883 he took a some of the elephants to a market in Heidenheim where he received a large number of orders. The company's price list of that year described "felt toys for children – robust and safe. Elephant with colored blanket." Steiff made her elephants in several sizes and stuffed them with leftover pieces of felt. She added metals wheels to some of them and left others without them. Building up this initial success, she showed the elephants at an export showroom in Stuttgart and soon she began creating additional animals for her line.

Business continued to grow, and in 1889 the company moved into a building that provided a corner shop with display windows. By 1893 the company had four employees and ten home workers, with a traveling sales representative added to the payroll the following year. Margarete's brother Fritz was a major help in designing wood and metal frames for the larger toys, and in obtaining equipment to allow increased production. Margarete concentrated on creating felt toys, using the best materials available, thus setting the benchmark for Steiff's reputation for quality that continues today.

To distinguish her work, Margarete filed patents and used a trademark of an elephant printed on a paper label. In 1904, she had the elephant trademark embossed on a metal button which she attached to each animal.

In 1897 Fritz' son Richard joined the firm. He’s the one who created the first teddy bear, which became the chief product of the company. Two of Richard's brothers, Paul and Franz, joined the firm in 1898. Franz developed the trademark "button-in-ear" concept for which Steiff has become known. A fourth brother, Otto, joined the company in 1902, and brother Hugo followed in 1906.

Eventually, Steiff’s little felt elephant grew into an entire menagerie of rabbits, deer, polar bears, frogs, fox terriers, and a big collection of monkeys. One of the most popular animals was a chimpanzee that wore a chauffeur’s cap.