Connoisseur Collectibles

 

QUESTION: I love wine. And while I’m not what you call a connoisseur, I do have an appreciation for fine wine and wine culture. Over the years, I’ve assembled a collection of wine labels and about half a dozen antique corkscrews. I’d like to collect other wine-related items but am not sure what to collect. What advice would you give me to start a serious wine-related collection? 

ANSWER: You’re off to a great start. However, you need to research the history of wine making to know all the objects available to collect. In addition, you need to set a budget. Older, ancient wine-related objects can be extremely expensive. 

People have produced wine for around 8,000 years. Evidence of ancient wine production dates to 6,000 BCE in the Republic of Georgia. The development of pottery made fermenting wild grapes grown in what’s now Armenia, Azerbaijan, and Georgia, as well as coastal and southeastern Turkey and northern Iran easier.

In ancient Egypt, wine played a ceremonial role. Trade introduced winemaking into the Nile Delta around 3,000 BCE. By this time, people had begun growing grapes in vineyards. By the end of the Old Kingdom, five distinct wines, probably all produced in the Delta, constituted a canonical set of provisions for the afterlife.

But much of modern winemaking came from the ancient Greeks. Wine historians believe that retsina, a white aromatic wine produced in Greece today, is a carryover of the ancient practice of lining wine jugs with tree resin, which gave the wine a distinct flavor.

But of all the ancient cultures, the Romans had the biggest impact on the development of winemaking. Wine was an integral part of the Roman diet, and winemaking was a precise and thriving business. The expansion Winemaking expanded so much that by 92 CE Emperor Domitian was forced to pass the first wine laws.

During the Middle Ages, people from all social classes drank wine where grapes were grown. 

Today, more people have an appreciation for fine food and wine. And unlike objects associated with the preparation, eating, and storage of food, those associated with wine have been less popularized. 

While corkscrews are the most commonly collected of wine-related items, collectors are also interested in ephemera such as wine tags and wine holders. Early postcards, advertising and travel posters are usually colorful and make a nice addition to a collection, as do antique wine racks and holders. In addition, some collectors include wine tasters, funnels, champagne taps, and bottle stoppers in their collections.

Decanter labels, a general term intended to include labels for wines, spirits and sauces, as well as toiletries and medicines are also of interest to collectors. 

Also known as bottle tickets or bottle tags, decanter labels are commonly seen in silver or silver plate, although they were made in a number of other materials, including enamel, porcelain, mother-of-pearl and horn. Collectors look for a variety of different aspects including hallmarks, maker's marks and label design, which vary from plain bin labels used in cellars to beautiful, ornate labels which once adorned fine decanters, elaborate cruets and delicate toilet water bottles.

Other wine-related collectibles include wine coasters, goblets, tankards, port funnels, wine coolers, wine. jugs and pewter tankards. apparatus such as cellar equipment, corking machines. presses, barrel tools, vineyard tools, port decanting cradles, ceramic bin or cellar rack labels and numbers are also garnering interest. Wine collectibles can be displayed anywhere. Collectors often adorn their home bars with wine-related items.

For collectors whose budgets allow, there are ancient and antique wine bottles, wine coolers, antique wine glasses, and more available. 

By far, the most popular wine-related antique/collectible is the corkscrew. Early corkscrews weren’t just intended to open wine. During the 18th and 19th centuries, many items used cork for closer, including beverages of all sorts, medicines, apothecaries, foods, sauces and perfumes. Eventually, most of these items were packaged in other forms, but wines and other spirits still required a corkscrew.

The first American corkscrew patent was issued in 1851. Since that time, more than 1,000 corkscrew patents have been issued in the United States alone, giving collectors an endless selection of shapes, styles and themes in a variety of price ranges.

The Rockwell Clough Company of Alton, New Hampshire, produced a number of wood-sheathed advertising corkscrews for businesses ranging from breweries to laundries and insurance agencies. These have a patent date of October 16, 1900 Those made in the 19th century often had carved ivory, bone or tusk handles and can sell for three figures. There are also corkscrews, dating to about the turn of the 20th century which double as walking sticks.

To read more articles on antiques, please visit the Antiques Articles section of my Web site.  And to stay up to the minute on antiques and collectibles, please join the over 30,000 readers by following my free online magazine, #TheAntiquesAlmanac. Learn more about "folk art" in the 2023 Winter Edition, online now. And to read daily posts about unique objects from the past and their histories, like the #Antiques and More Collection on Facebook.

On the Lamm

 

QUESTION: My grandmother has been collecting fancy cups and saucers for several decades. Some in her collection are simple in design, but others are artistically decorated. Two sets have an unusual shape with pedestal cups decorated with ornate paintings. The mark on the bottom of the cup and saucer is a blue lamb with the word "Dresden" below it. Who produced these cups and saucers and when were they made?

ANSWER: Chances are that the two cups and saucers in your grandmother’s collection are from Dresden, Germany. Ceramic factories such as Rosenthal and Meissen produced blanks that were later decorated by independent studios. Ambrosius Lamm owned and operated one of the top decorating studios, producing consistently high quality wares. 

The city of Dresden became a leading cultural center in the 17th century. In the 18th century, the city became known as the "Florence on the Elbe" because of its magnificent Baroque architecture and its outstanding museums. Artists, especially  porcelain decorators, took up residence there.

Between 1855 and 1944, more than 200 painting studios existed in the city. The studios bought porcelain white ware from manufacturers such as Meissen and Rosenthal for decorating, marketing and reselling throughout the world. Ambrosius Lamm owned one of the top decorating studios consistently producing high quality wares.

Lamm operated a porcelain painting studio and arts and antique shop from 1887 to 1949. It was located at Zinzendorfstrasse 28 in Deesden. He had approximately 25 employees by 1894, which grew to about 40 in 1907. 

 studio became well known for painting in the Meissen, Vienna, and Copenhagen style. Lamm's specialties included Old Dresden flowers, Watteau and mythology, as well as decorated luxury and utility articles in the old and new styles. Lamm bought blanks from a number of manufacturing firms, including Meissen, Rosenthal, Hutschenreuther and Silesia.

Lamm used at least three different marks by Lamm, including a pensive angel with Dresden and Saxony, an L within a shield, and the most common mark, an outline of a lamb with Dresden underneath.

He also produced cabinet cups and saucers. Middle and upperclass Victorians often had display cabinets in their dining rooms in which they displayed fine decorated plates and cups and saucers. A set of six flared cups with scrolled handles, hand painted with French court beauties, such as Mme. Lebrun, sell for between $3,000 and 4,500.

Collectors can still find desirable cabinet cups, as well as sherbets and goblets can be found, decorated  on Rosenthal blanks with a gilt cutout star or flower inside the cup. Usually, well-painted portraits of men and women in period dress appeared on the outside with heavy gold paste work.

Lamm often used rich cobalt blue and luster glazes for his ground colors. His favorite decorative techniques were jeweling and beading. His studio was well known for using heavy intricate gold paste work on borders of plates and cups.

 also enjoyed painting cherubs or putti. Many of his pieces featured cherubs holding fruit, flowers, and playing musical instruments. He often portrayed them floating amid fluffy clouds.

His paintings on porcelain cups and saucers and cabinet plates rivaled the quality of Royal Vienna and Sevres porcelains.  For example, he pronounced a series of 12 plates portraying ones from various oil paintings displayed in the famous Scamper Gallery in the Zwinger Palace. These plates had cobalt blue borders with elaborate gold paste gilding.

Lamm’s excellent reputation as a top porcelain decorator encouraged wealthy families in Germany and abroad to commission demitasse sets and dinner services from his studio. These sets included the monogram of the owner in intricate gold work. Examples for sale today include dinner plates and serving items with one to four hand-painted courting scenes within medallions on the border.

 occasionally decorated dinnerware with the floral and gilt patterns typically used by other Dresden studios. But he preferred to be more creative in his designs. His studio produced a line of dinner and tea ware featuring bold, large vibrant flowers covering each piece. Lamm’s studio was particularly known for its artistic rendering of flowers.

To read more articles on antiques, please visit the Antiques Articles section of my Web site.  And to stay up to the minute on antiques and collectibles, please join the over 30,000 readers by following my free online magazine, #TheAntiquesAlmanac. Learn more about militaria in the 2022 Fall Edition, with the theme "After-Battle Antiques," online now. And to read daily posts about unique objects from the past and their histories, like the #Antiques and More Collection on Facebook.

Fall is Cranberry Season

QUESTION: Every year at Thanksgiving, I bring out a set of eight sparkling pink glasses that used to be belong to my great-grandmother. They seem so festive and add a holiday note to our dining table. Can you tell me anything about these glasses?

ANSWER: Your glasses are made of cranberry glass, a very special type of glass favored by Victorian hostesses, especially around the holidays. Not only is this glass appropriate for the Thanksgiving and Christmas holidays, but it’s also a popular collectible. In fact, some pieces are worth too much to be used for fear of breakage.

Although glassblowers had been making colored glass since ancient Egypt, it was Johann Kunckel, a 17th-century German chemist from Potsdam, who came up with the red color by adding gold chloride to the clear crystal. During the 19th century, English and American glassblowers experimented with adding less gold choride, resulting in a pink glass which the Americans called “cranberry.”

And thanks to the virtuosity of these glassblowers there seems to be an endless variety of shapes and patterns of this glass on the market. In addition to tumblers and water pitchers, there are salt cellars, sugar shakers, cruets, jars, jugs, decanters, celery vases and finger bowls. Among the widely used patterns are "Swirl," "Coin Dot," and "Daisy & Fern." Some of the most rare and expensive items found from this time period are beautiful lamps and other lighting fixtures.
         
As with any collectible, cranberry glass can also be an investment. Pieces that sold for less than ten dollars a generation ago are now worth hundreds of dollars. Because of the natural fragility of glass, antique cranberry glass has become relatively scarce, though it does turn up in thrift and antique shops,  flea markets, and auctions.         

Although cranberry glass had peaked in popularity by the end of the 19th century, manufacturers produced it in quantity through the 1930s. The last two companies to make this unique glass—The Pilgrim Glass Corporation and Fenton Art Glass —went out of business early this century. Pilgrim Glass Company produced beautiful blown cranberry glass ranging from various vases and baskets to candle holders and sold them in department stores and gift shops around the country until 2001. At the time if the company's closing, cranberry was its most popular type of glass. Fenton Art Glass marketed new cranberry glass, featuring opalescent decoration with coin dots, daisy patterns and numerous other styles, through retailers around the country until it closed in 2011.

Cranberry glass has always been made in craft production rather than in large quantities, due to the high cost of the gold and the delicate mixing process required. Glassmakers dissolve the gold chloride in a solution of nitric acid and hydrochloric acid, known as “aqua regia.” Gold in the batch reacts with intense heat to create the beautiful cranberry color. A glassworker called a “caser” attaches a “bud” of this glass mixture to a blowpipe. Then the glassblower stands on a platform with the mold below his feet and blows the molten glass into the mold to create the desired shape. Afterwards, another glassworker places the piece in a “lehr” or annealing oven where it slowly cools to room temperature. Most cranberry pieces are hand blown or molded and often contain small bubbles and striations.

To read more articles on antiques, please visit the Antiques Article section of my Web site.  And to stay up to the minute on antiques and collectibles, please join the other 24,000 readers by following my free online magazine, #TheAntiquesAlmanac. Learn more about antique clocks in the Fall 2019 Edition, "It's That Time Again," online now. And to read daily posts about unique objects from the past and their histories, like the #Antiques & More Collection on Facebook.