At Sea in a Bottle

 

QUESTION: My grandfather was a merchant seaman for most of his life. From his work, he developed a passion for historic ships and out of that for models of historic ships in bottles. Sadly, he’s recently passed on but before he died, he gave me the ships in bottles, about a dozen of them, that he had collected. I’m curious to learn how long people have been building models of historic ships in bottles. And exactly how did they do that?

ANSWER: Historically, the first mention of objects placed in bottles dates back to 1719. A German artist, musician and magician, Matthias Buchinger, built models, although not necessarily of ships, inside bottles. This was remarkable since he was born without arms or legs.

The oldest surviving ship in a bottle, a Turkish or a Portuguese three-masted warship, dates to 1784. Instead of laying on its side as most do, the maker placed it in an egg--shaped bottle, which hes placed upside down over a wooden stand. 

The idea of putting a model of a ship in a bottle became very popular after the fast sailing ships like the clipper came into service. So most of the antique ships in bottles found today appeared after 1840.

Ships in bottles became more popular as folk art in the second half of the 19th century, after the introduction of cheap, mass-produced bottles made with clear glass. They also became a very popular nautical gift during the late 18th and the early and mid-19th centuries in both Europe and the Americas.

Historians believe that monks living in monasteries spent tireless hours working on the earliest examples of these intricately carved models. The emergence of putting ships inside bottles can be followed back to the mid to late 19th century.

Ships in bottles were a unique way for anyone to connect with maritime history even if they weren't a sailor. By the 20th century, with the creation of new, faster ships on the seas, so ships in bottles became more diverse in design. 

Antiques experts classify a ship in a bottle as an impossible bottle—a bottle containing an object that does not appear as if it would fit through the bottle's mouth. It’s the most iconic type of impossible bottle. Other common objects often inserted into bottles include fruits, matchboxes, decks of cards, tennis balls, racketballs, Rubik's Cubes, padlocks, knots, and scissors. These may be placed inside the bottle using various mechanisms, including constructing an object inside the bottle from smaller parts, using a small object that expands or grows inside the bottle, or molding the glass around the object.

Over the centuries, many people probably asked themselves just how the model ships got into the bottles. There are two ways to place a model ship inside a bottle. The simpler way is to rig the masts of the ship and raise it up when the ship is inside the bottle. The maker built the masts, spars, and sails separately and then attached them to the hull of the ship with strings and hinges so the masts could lay flat against the deck of the ship. He then placed the ship inside the bottle and pulled the masts up using the strings attached to the masts. However, the hull of the ship must have still been able to fit through the neck of the bottle. Ships bottle makers often chose bottles with minor distortions and soft tints to hide the small details of erecting the ship inside the bottle, such as hinges on the masts. Some used specialized long-handled tools to build the entire ship inside the bottle.

Since ships of the past came in different shapes and sizes, the size of the bottle and the extent of its flat-base shape when placed horizontally mattered immensely to the makers. 

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The Aroma of Beauty

 

QUESTIONS: I’ve always loved the look and variety of antique perfume bottles. Since most of these are small, they’re often overlooked in the cases of smalls at flea markets and antique shows. It takes determination to seek them out. I’d love to know more about the history of perfumes, as well as some history about perfume containers.

ANSWERS: The Egyptians were the first to use perfume, but not for personal, everyday use.  They utilized scents to celebrate prayers and religious ceremony by burning essential oils, resin, and perfumed unguents.

Early civilizations used perfumes—usually aromatic resins and oils, burned to release an aroma—to scent the air. The Latin term “per fumum” means “through smoke” which is where the name ‘Perfume’ came from. 

In ancient Greece, common people began using perfumes as part of their daily hygiene. The ancient Egyptians traded spices, aromas, and resins abundant in Egypt, as well as those  imported from the Middle East, Arabia and India. Myrrh and incense made up some of the main ingredients of the scents of the time.

For much of recorded history, perfumes were only available to aristocrats and the wealthy. By the late 18th century, perfumes were in common use among the upper classes, and it didn’t take long to become de rigueur for the fashionable set, both male and female. In 1856, Harper’s Monthly railed against overuse of scents by men, calling the practice "foppish, effeminate, a waste of money, and a foolish gratification of sensual appetite."

After the Civil War, a variety of cheap perfumes came on the market. Such labels as Little Tot, American Girl, Boudoir, Bridal Bouquet, Duchess Ladies, Sensible, Home Sweet Home, Bow Wow, and Happy Family were common. By far the most popular, however, was the Hoyt's 5-Center, sold over general store counters everywhere. Hoyt's became the great odor of the common man. Like most other cheap brands it had a faint aroma of rose and honeysuckle. And while lavender and violet were popular with upper class women.

Queen Victoria’s preference was for simple, fresh and understated fragrances. Following Victoria’s lead, English women began wearing delicate scents such as lavender, jasmine, bergamot and lemon. Violet became particularly popular, as well as herbaceous notes of thyme, clove and rosemary. 

Besides flowers, aromatic woods, odorous spices, grasses and herbs, animal substances were primary ingredients of perfumes. Ambergris was a secretion of the sperm whale that net only mellowed other scents but gave them greater longevity. The most lasting of odors came from the musk deer of China and Tibet. One part of musk was said to scent over 3,000 parts of "inodorous powder" with an intoxicating aroma that impregnated any surface with which it came in contact. 

Given the nature of perfume, from the confidence it gives its wearer to the indescribable effect it sometimes has on its very targeted audience, it’s not surprising that perfume has long been kept in bottles whose shapes seem to echo the mysterious properties of the fluids inside them. Whether it’s a slender phial, a tiny tear-shaped lachrymatory, or a round, flat-sided ampullae, perfume bottles are designed to contain magic, which is only unleashed when a woman opens the bottle and applies a drop or two of the precious liquid to her body.

The earliest examples of perfume bottles come from Ancient Egypt, initially crafted from clay or wood. As the popularity of perfume spread across cultures, artisans created more ornate designs. The Romans hollowed out precious stones or blew magnificent glass bottles to hold their fragrances, while the ancient Greeks used terracotta sculpted into animal forms and shells. By the late 18th century, perfume containers came in a variety of materials, such as porcelain, silver, copper and white glass in various shapes influenced by artistic movements of the time. Enamel became popular as a base to hand-paint detailed pastoral scenes. 

As luscious as perfume smells, so were the shapes and designs of the bottles that contained it. Some were small enough for a woman to wear on a chain around her neck, in which case, the bottle became a piece of jewelry. Glassblowers in Britain, Bohemia, Germany, and France made perfume bottles throughout the 19th century. U.S. glass manufacturers such as the New England Glass Company and the Boston & Sandwich Glass Company also made perfume bottles during that time. Some of these were hexagonal and opaque—white, blue, and green were common colors—with knobby, pineapple-shaped stoppers.

Fashionable Victorian women revived the use of the vinaigrette filled with a variety of delightfully sniffable scents. They also developed a preference for French labels on their dressing table bottles. The allure and snob appeal of French fragrances swept the perfume industry until even the down-to-earth Sears & Roebuck catalog succumbed with terms such as parfums, odeurs , and flacons. A typical 1905 ad offered: "Our Special Violette France Perfume, put up in magnificent 2-ounce cut glass stoppered bottle, for only 60 cents.”

Beginning around 1890, artisans and glass factories alike produced elaborate cut or blown glass perfume bottles with ornate caps, some of which had hinged silver stoppers and collars. Purse-sized conical bottles with very short necks and round stoppers were often decorated with gilt flower-and-leaf patterns.  

The world of perfumes was then and is today one of mystery and magic. And the containers that house them are highly collectible. 

To read more articles on antiques, please visit the Antiques Articles section of my Web site.  And to stay up to the minute on antiques and collectibles, please join the over 30,000 readers by following my free online magazine, #TheAntiquesAlmanac. Learn more about the "Antiques of Christmas" in the 2021 Holiday Edition, online now. And to read daily posts about unique objects from the past and their histories, like the #Antiques and More Collection on Facebook.

Water, Water Everywhere

 

Fenn water bottle with ring

QUESTION: I discovered this unique water bottle at a local antiques co-op. While most antique water decanters are solid cut or pressed glass, this one comes apart into two pieces. A metal ring, with a rubber gasket to make the seal tight, screws onto the base. The mark on the bottom edge of the top section reads: “Perfection Bottle Co., Wilkes-Barre, PA Pat March 30-97.op part.”  What can you tell me about this type of water bottle?

ANSWER: You, indeed, have found a unique water bottle. Though a revolutionary idea, this type of water bottle appeared in stores for only a few years.

From the mid-19th century to the early 20th century, water bottles were standard items in many American Victorian households. They appeared on dinner tables either alone or with matching glasses and in bedrooms often with a glass that sat upside down over the top of the bottle. They also could be found on the nightstands in hotel rooms and steamship cabins, and on tables in railroad lounge cars. 

Cut glass crystal water bottle

At first, manufacturers made them of elegant cut glass, but that was too expensive for the average person. Some turned to using pressed glass in a variety of patterns which lowered their cost.

However, cleaning these crystal beauties posed a serious problem with hygiene. The bottle’s narrow neck made it hard to get a brush down into it, making it almost impossible to clean the inside surface of the bottle’s bulbous interior. But that changed in 1896 when William B. Fenn came up with the idea of a separating water bottle—one with pieces that could unscrew for easy cleaning.  On March 30 of the following year,  he applied for and received a patent for it.

Fenn’s separating water bottle had an ingenious design. He made the neck and base two separate pieces, with the bottom edge of the neck fitting inside the top rim of the base. A rubber gasket formed a waterproof seal between the two parts and a metal ring screwed over the joint to lock the pieces in place. 

Ceramic water bottle

Even though Fenn used glass for his original design, he stipulated in his patent that any material, including ceramics and porcelain, could be used for the bottle, itself, and any metal could be used for the joining ring as long it wouldn’t corrode.

It took nearly three years for Fenn's bottle to be available to the public. Priced at $4.50 each when they first came on the market in 1900, they were well beyond the means of the average person. Realizing he had to do something to increase sales, Fenn redesigned the pattern on the bottle so that it could be pressed instead of cut. Suddenly, the price per bottle dropped to 50 cents per bottle, or 34 cents each for a dozen, making the Fenn water bottle affordable for everyone.

Fenn’s invention was so successful that he decided to expand production. By October,1902, consumers could purchase a decanter

Fenn Royal water bottle

and stopper in four sizes—half pint, and one, two and three-pint versions. And during 1903; He expanded the line further to include other glass containers, such as   syrup pitchers and cruets, as well as bitters, cologne, and barber bottles, each with a different pattern.

The separating water bottle came in three models—the Royal, with a delicate design imitating cut crystal, the Imperial, also sold in two and three-pint capacities but without a pattern, the Optic, with a succession of single, convex protruding, vertical panels with rounded tops and bottoms, and the Colonial, featuring nine rounded panels with flat bottoms around the base. Each came in two and three-pint sizes, except the Colonial which also came in a half-gallon size.

In 1903, the Perfection Water Bottle Company and the Sterling Glass Company combined to create the Perfection Glass Company of Washington, Pennsylvania, with William Fenn as one of the initial investors. But the new company was only to last until 1907 when it closed its doors for lack of sales.

To read more articles on antiques, please visit the Antiques Articles section of my Web site.  And to stay up to the minute on antiques and collectibles, please join the over 30,000 readers by following my free online magazine, #TheAntiquesAlmanac. Learn more about  world's fairs in the 2020 Summer Edition, online now. And to read daily posts about unique objects from the past and their histories, like the #Antiques and More Collection on Facebook.

Let’s Have a Cold One

QUESTION: Ever since college, I’ve been a great lover of an ice cold beer. And today, with all the microbrews out there, I’ve become quite the beer afficionado. Along with enjoying a variety of beers—I even have a special refrigerator in my garage to keep my collection of microbrews cold—I’d also like to start collecting brewery memorabilia in earnest. I have a few items—coasters, bottle openers, and a variety of cans from various breweries. Can you help me get some direction to my collecting? There are so many items that I’m not sure where to start.

ANSWER: It’s appropriate that you’ve contacted me this week since the Fourth of July is probably the leading holiday at which people celebrate with cookouts and coolers of icy cold beer.

Beer has been a part of American culture since the first Virginia colonists began brewing ale from corn in 1587. Adrian Block & Hans Christiansen's brewhouse at the southern tip of New Amsterdam, now Manhattan, was the first brewery established in the New World. Ever since then breweries have opened all over America.



Michael Combrune published The Theory and Practice of Brewing in 1762. This was the first attempt to establish rules and principles for the art of brewing. In 1808, members of the Congregational Church in Moreau, New York, formed a temperance society. From that point forward, a major struggle between beer drinkers and those who disapproved began, culminating in Prohibition. Until the rise of these societies all over the country, the only competition breweries had was from whiskey manufacturers.

During Prohibition, breweries produced "near beer," a nonalcoholic beer, which people  greeted with a lukewarm reception at best. The breweries also made "health tonics," ice cream and many other products to keep themselves afloat during this time.

In 1935, the G. Kreuger Brewing Company of Newark, New Jersey, became the first brewery to sell beer in steel cans. That year, only about 25 percent of all beer sold was packaged in bottles and cans. Breweries sold the rest in kegs.

The breweries have always had competition, from other alcoholic producers as well as other breweries.  To beat the competition, they used strong print and media advertising campaigns, elaborate visuals, and colorful giveaways. They used everything from foam scrapers, brightly colored cans, distinctive bottle labels, neon signs, tip trays, cups, hats, shirts, serving trays and countless other items in an attempt to make the consumer remember one brand over another.



Today, the market for vintage brewery collectibles is hot. But there are so many different items that beginning collectors have a very good chance of finding ones to fit their tighter budgets.

First, a beginning collector should buy what he or she likes and can afford. Prices for these collectibles are all over the map, so focusing a collection is important from the start. To begin, a novice collector might build on what he or she already has or perhaps start in a new direction of interest. That can include beer bottles or cans, unique advertising signs, and even beer coasters from around the world. Often, these can be had for the cost of a cold beer.

Beginners should select a collecting theme early or risk accumulating too much material to handle. It's easy to start small, with something inexpensive like coasters, as long as the beginner always buys items in the best condition. Beginning collectors of brewery collectibles usually start with signs, trays and cans produced after Prohibition. Advance collectors collect the pre-Prohibition era material and usually zero in on the geographic area in which they live or grew up.




So what determines pricing for brewery collectibles? As with other antiques and collectibles, it’s condition, condition, condition," since most brewery collectibles have been used. Pristine examples can command high prices, and they can be difficult to find. While rarity is important, for collectibles where multiple examples exist, condition rules.



One of the priciest examples is the Clipper beer can, which sold on eBay for more than $19,000. Lithographic factory signs have sold for $7,500 to $15,000, die cuts for $1,000 to $2,500, tin lithographic serving trays for $250 to $1.000 and tip trays for $250. While these are the priciest items, there are lots of others selling for much less.. Signs with reverse painting on glass and calendars are especially prized by collectors.

The variety of brewery collectibles is astounding, so much so that they offer lots of possibilities for collectors at all levels. The bottles and cans produced today may someday be worth more than the contents they hold as will signs, lights, mirrors, tap handles, and labels.

To read more articles on antiques, please visit the Antiques Article section of my Web site.  And to stay up to the minute on antiques and collectibles, please join the other 18,000 readers by following my free online magazine, #TheAntiquesAlmanac. Learn more about western antiques in the special 2019 Spring Edition, "Down to the Sea in Ships," online now. And to read daily posts about unique objects from the past and their histories, like the #Antiques & More Collection on Facebook.   

For My Lady’s Dressing Table

QUESTION: When I was a little girl back in the early 1950s, I remember my mother’s skirted dressing table with its many glass and silver boxes, which contained her combs and her perfumes and the fine white powder she used when she went out. Sometimes when she was busy doing something, I would sneak into her bedroom and sit at her dressing table and play with her dressing set, pretending to be a big girl. Now that I’m older and have been all grown up for quite a while, I’d like to find out more about those early dressing sets. I’ve seen some at flea markets, but I have no idea if they’re worth much. Can you help me?

ANSWER:  Dressing table sets first became fashionable in the 18th century. Back then, a variety of items may have graced a lady’s dressing table, including comb and brush sets, little boxes, and perfume bottles. 

Perhaps the most beautiful items of the Victorian lady's dressing table were the brush sets, which included hair brushes, clothes brushes, hat brushes, combs and a hand mirror. These sets became fashionable in the second half  of the 18th century.

Leading silversmiths of the time backed many of them with engraved silver. Others used ivory or tortoiseshell backs, sometimes inlaid with the fancy scrolled monogram of the owner in silver.

Combs have been in existence since ancient Egypt. The Romans taught the Britons to use  combs rather than go through their hair with four fingers. An early alternative to the comb was a scratching stick, often in the form of a hand or bird's foot carved in ivory or hardwood, which ladies might also use to relieve their itching scalps.

There were two categories of combs. Ladies used back, puff and side combs to hold their hair in place after having it styled. Both men and women used dressing and folding combs to arrange their hair, These dressing combs were often part of fancy brush sets.



Early comb makers used cattle horn, ivory, and tortoiseshell for their combs, as well as wood, bone and metal. Ivory and tortoiseshell were the most desirable and costly. At the end of the 19th century, a cheaper substitute for ivory was Xylonite, also called French Ivory, an early form of white plastic sold by the Xylonite Company. Few of these sets have survived because when the brushes wore out, a woman would discard the entire set.

In addition to comb and brush sets, a variety of boxes adorned ladies’ dressing tables. First made in the 17th century, dresser boxes contained a number of tiny compartments and drawers to hold trinkets, jewelry, and other items, and often had a mirror fitted in the inside of them. Today, these have become known generically as “jewelry boxes.”

Patch boxes are small elegant boxes used to store patchet, worn by wealthy women to hide an imperfection or to draw attention to a pleasing facial feature. Made from a variety of materials, patchet were often shaped
like tiny hearts, circles or diamonds.

But powder boxes were the most essential item on the dressing table. Figural ones took the form of half dolls or ballet dancers. From 1870 to 1920 a woman could wear powder without being considered a prostitute, so these boxes appeared in large quantities. A few of them contained a tiny puff, made of fibers or cotton with a tiny handle sticking up.

Another container to hold powder was the talc, a small elongated container similar to a salt  shaker. A lady shook some talc out on her fingers to help ease the often tight-fitting kid gloves onto her hands.

But one of the largest and most ornate containers found on a dressing table was the porcelain trinket box, made by Limoges, Capodimonte, and other European and Asian porcelain companies. Ladies used it to hold button-cufflinks. odd pieces of jewelry, or small souvenirs,. Some featured hand-painted flowers, designs and portraits and came lined with colored plush or velvet. The more elaborate boxes had interior division and trays.

Another required item on a lady’s dressing table was the perfume bottle. The tradition of encasing perfumes in expensive and beautiful containers is an ancient one. Ancient Egyptians used alabaster bottles to store perfumes, due to its density and coolness to prevent evaporation, but they also used elaborate blown glass perfume containers.


The variety of 18th century perfume containers was as wide as that of their fragrances and uses. Liquid perfume came in beautiful Louis XIV-style pear-shaped porcelain bottles. Glass perfume bottles became increasingly popular.



Fine china makers brought out all sorts of dainty things for the dressing table. The hairpin holder, hair receiver, pin tray, manicure set and the small tray upon which it lies, powder boxes, cold-cream casket, lotion bottles, rouge pot, comb and brush, jewel boxes, frames of the hand and triple mirrors, bonbonniere, perfume bottles, sachet holders and the cunning little barrel for small change were all of china and all matched and decorated with small isolated flowers pansies, violets or daisies—scattered carelessly over the entire surface.

Although not as common as porcelain dresser sets, matched dresser sets in cut glass, pressed glass and milk glass appeared in the late 19th century. Cut glass colognes came in a variety of shapes. The stoppers might have matched the design or have been made of silver.

Dressing table sets can range from perhaps $25 at a flea market to over $300,000 at auction, depending on when they were made. Finding one from the 18th century in one piece will be a challenge.

To read more articles on antiques, please visit the Antiques Article section of my Web site.  And to stay up to the minute on antiques and collectibles, please join the other 18,000 readers by following my free online magazine, #TheAntiquesAlmanac. Learn more about Colonial America in the Spring 2018 Edition, "Early Americana," online now.