Who Will be Mother?

QUESTION: I love to drink tea. In fact, I began drinking it when I was about 10 years old. I love the aroma and the steam that comes from the cup as I put it to my lips. Of course, as a tea afficionado, I always brew loose tea. But what I can’t stand are the bits of leaves that always seem to end up in the bottom of my cup. A tea strainer is a necessity if brewing tea from leaves. I always had a simple one that fit over the top of my cup and let me pour the tea through it, collecting the dregs in the strainer as it went. Last year, I attended an antique show and treated myself to a beautiful sterling silver tea strainer. I love it. So much so that now I’d like to begin collecting them.                        

ANSWER: People have used tea strainers for centuries. During the 18th and 19th century, when having tea was an important social event, silversmiths made tea strainers for wealthy tea drinkers. Since no one liked fishing loose tea leaves out of their teacup, strainers became a popular tea accessory. Tea strainers enabled hostesses to filter the leaves out while pouring tea in each person’s cup.

After it’s introduction to Europe, tea drinking began to inspire elaborate serving conditions. Unlike in China or Japan where tea drinking had a religious significance, tea drinking rituals in the West emphasized tea’s exotic origins and the server's wealth. Over time, an assortment of locked storage containers, special serving vessels, measuring spoons and other implements became part of any tea service. And, unlike the Chinese, who simply dumped tea into the pot and poured carefully, Europeans devised strainers to remove not only the leaves but also stems, grit, and other debris often found floating in the tea.
                   
By the 17th century, strainer spoons to remove the "motes" or tea debris with perforated bowls and pointed ends for clearing teapot spouts became common.

Toward the end of the 18th century, the silver cup strainer, adapted from wine strainers and from larger two-handled silver punch strainers used to extract lemon and orange juice used in other beverages, appeared. For tea, the cup strainer had one or two handles of silver or other material and fit over the cup to filter tea as it was poured.

By the 19th century silver craftsmen experimented with various designs to secure the cup strainers to the teacup. Some had two handles that straddled the cup while others were made with clasps to clip onto the edge. They also developed stands to support the strainer when it wasn’t in use and to catch the drippings.

Teapot spout strainers, featuring a pierced basket or bucket-shaped strainer with long pins to be inserted in the spout, were another tea trapping device developed in the late 18th century. As a person poured the tea, it flowed through the strainer and into the cup. Although they dripped tea on tablecloths, their dainty appearance and intricate piercings made them a highly desirable tea accessory. Spout strainers were more fashionable in Europe than in America and silver manufacturers created many novelty forms such as helmets, buckets and shells.

In the mid 19th century a new development in brewing came in the form of the tea infuser, also known as a tea ball. Tea balls are perforated, spherical containers made in two parts and connected either by a hinge and clasp or by screw threading.

Tea balls not only trapped tea leaves, but contained them within the pot for the brewing. Tea balls weren’t made in America until after 1880, but they quickly became the most popular tea strainer form used in America. More than 60 prominent American companies, such.as Gorham, produced them in quantity and in whimsical shapes, such as grapes, walnuts, lanterns, faces, teapots, shells, cauldrons, fish, Earth, and the Liberty Bell.

There have also been square tea balls, both an oxymoron and a rarity. A particular favorite is a curled-up dormouse, recalling the unfortunate creature dunked into the teapot during the Mad Hatter's tea party in the children's classic, Alice in Wonderland.

The last form of tea strainer to be invented appeared in England in the 1890's and quickly found its way to the United States. The stick infuser or spoon infuser, consists of a covered spoon-like bowl perforated on both lid and bowl. Like tea balls, tea drinkers filled the stick infusers with tea leaves, but unlike the tea balls, people used them to brew one or two cups of tea. Like the tea ball, the stick infuser gained popularity in the United States. Again. manufacturers presented numerous design variations, replacing the spoon bowl with a ball or heart shape and using different handle forms made of bone, porcelain  and wood. Some stick infusers with upright handles resemble pipes, while others resemble a pair of tongs or an egg on a stick.

The development of the tea bag signaled the end of mass production of silver tea strainers. Today, the tea strainers of the 18th through the early 20th century stand as valuable reminders of the importance of aesthetic pleasure in a social ritual—the serving of tea.

Learn more about the tea experience by reading "The Origin of Afternoon Tea" in #TheAntiquesAlmanac and also about sterling silver tea sets in my Google+ Collection, Antiques and More.

To read more articles on antiques, please visit my Web site.  And to stay up to the minute on antiques and collectibles, please join the other 18,000 readers by following my free online magazine, #TheAntiquesAlmanac. Learn more about the Victorians in the Winter 2018 Edition, "All Things Victorian," online now.  

Seashells by the Seashore

QUESTION: Ever since I was a child playing in the sand at the seashore, I’ve loved seashells. I started collecting them and eventually began making shell crafts with them. I’ve seen antique shell-covered boxes at antique shows. How old are these boxes? And why are they decorated with shells?

ANSWER:  When you pick up a pretty shell on the beach or purchase a shell souvenir from a seaside gift shop, you’re following a tradition that goes back as far as the 16th century. A homemade sewing box decorated with shells gathered during an outing at the seashore evokes memories of a wonderful vacation.

Shells from the Far East were rare and expensive collectors' items as far back as the late 1590s. Archduke Ferdinand II devoted four rooms of his castle near Innsbruck, Austria, to shells, fossils, amber and mounted branches of coral. Soon, all over Europe, it was the fashion to decorate rooms with both common and exotic shells.

With the exploration of the Pacific and Indian Oceans and the expansion of European trade, interest in sea shells as decorative items grew even stronger in the 17th century. Merchants imported large quantities of exotic shells into Europe, and shell collecting became a serious hobby. 

In the early 18th century shellwork became a popular pastime for upper-class women. They practiced all sorts of shellcraft, including making shell plaques and pictures. To help Georgian ladies with their shellwork, Mrs. Hannah Robertson published The Ladies School of Arts in 1806. In it she described various techniques of shellwork. When Victoria became Queen in 1837, the study of shells and their inhabitants became a popular subject in school. Teachers encouraged their students to take walks along  the seashore to study marine life which led to an increased interest in shell collecting and shellwork.

Ladies covered glove boxes, trinket boxes, work boxes, and musical boxes with shells. They used heavy pasteboard to construct the boxes, using patterns they found in books on shellcraft. Once they had the parts cut out, they lined them with absorbent cotton and covered them with velvet or silk, then they sewed the sides together with strong thread. They then pasted muslin over the seams and fastened the lids with strips of muslin attached with strong glue. The box makers then made a cushion which they attached  the top of the box with a glue and proceeded to cover it with shells. Those who didn’t want to make their own boxes could buy plain ones onto which they could attach their shells.

Many of the Victorian boxes contained mirrors inside the lid and had heart-shaped pincushions attached. Ladies often gave them as gifts and pasted sayings such as "Forget-me-not" and "To My Dear Mother." Some Victorian women glued on paper scraps and pictures cut out from magazines to enhance their designs.
   
To obtain shells for their projects, some ladies would gather them on trips to the seashore. Those who lived too far away from the sea could obtain them from sailors or purchase them from shell dealers.

After women gathered their shells, they soaked them in fresh water for a few hours. Some shells naturally possessed a fine polish and required no preparation for display. In many cases, however, when shells became dry, they lost their natural luster, which women restored by washing them with clear water into which a little glue had been dissolved. The most popular shell, the periwinkle, which lined almost every box, had to be specially treated. The natural, grayish outer scale had to be removed with acetic acid to reveal the pearly iridescence underneath.



After cleaning their shells, women had to sort them according to size and color. It was important to have large quantities of tiny "rice shells," and other small shells in order to fill in spaces. Ladies then laid out their shells to form a design. Roses and hearts were popular in the center of a design. Once they had their designs finalized, women dipped the ends of their shells in a mixture of white wax and glue which adhered them to the cotton batting or paper.

Shell work declined in popularity toward the end of the 19th century though it has never faded as a home pastime.

 To read more articles on antiques, please visit my Web site.  And to stay up to the minute on antiques and collectibles, please join the other 18,000 readers by following my free online magazine, #TheAntiquesAlmanac. Learn more about the Victorians in the Winter 2018 Edition, "All Things Victorian," coming this week.

Valentines from Across the Seas

QUESTION: While vacationing in Nantucket last summer, I came across some beautiful souvenirs made of shells. The shop owner said they’re called “Sailor’s Valentines.” While the one I purchased is newly made, I saw others in the Nantucket Whaling Museum a few blocks away. What is the history behind these things of beauty? Who made them and where did they come from?

ANSWER: Most sailor’s valentines date from the early 19th century. Beginning in 1830, whaling ships set sail from Nantucket and later New Bedford, Massachusetts in search of mighty whales, from which they extracted whale oil used to grease the machines of the Industrial Revolution.


While Nantucket was the center of whaling in New England–at its height nearly 400 ships called the island port home—these weren’t the only types of ships that sailed the oceans of the world. Sailing ships, later known as clippers because of their fast speed, sailed to all the major ports of the world. From the early to the latter part of the 19th century when steam-powered ships took over the seas, the sailors aboard them spent years aboard in search of whales and moving cargo from one port of call to the next, often gone from home for several years. When they stopped to exchange cargo or gather provisions, they went ashore, discovering unique souvenirs to take home to their wives and girlfriends. Besides objects decorated with scrimshaw, which they, themselves, made, they found some unusual octagonal wooden boxes filled with seashells in shops on the island of Barbados in the Caribbean.

Between about 1830 and 1880, residents of Barbados made and sold what came to be known as Sailor’s Valentines to the lonely English and American sailors.

From the 1630s to the end of the 19th century, Barbados was an important port of call for sugar, rum, lumber, and fish. Because of this, a number of shops catered to the souvenir trade. The Victorian love for collecting and displaying exotic objects from afar possibly fueled the industry and contributed to the popularity of the valentines.

Historians believe that most of the sailors' valentines came from the New Curiosity Shop on McGregor Street in Bridgetown, Barbados, owned by two English brothers, B.H. and George Belgrave, who hired locals to make the valentines.

The local valentine makers constructed the special octagonal, hinged boxes, ranging in size from 8 to 15
inches across, using mahogany veneer for the sides and native cedar wood called cedrella, for the bottoms. Then they lined the insides of the boxes with colored paper, most often pink, onto which they placed cotton batting. Next they glued hundreds of colorful tiny seashells in intricate symmetrical mosaic designs incorporating hearts and flowers, which often featured a compass rose centerpiece. After gluing down all the shells, the maker placed a piece of glass over the design to protect them. They called these double valentines.

Sometimes the makers incorporated a special sentimental message that a sailor would request into the design, thus the name Sailors’ Valentines. Sentiments typically appeared only on the smaller 9½-inch double valentines, which often displayed a heart motif on the opposite half. Some of the more popular ones were “To My Sweetheart,” “To My Love,” “Home Again,” and “From a Friend.” The larger 13½- to 14-inch valentines rarely had sayings, but instead had more intricate shell-work designs on both sides.

Today, Sailors’ Valentines command high prices at auctions and antique shows. Some of the best, however, are part of the collections of the New Bedford and Nantucket Whaling Museums, and the Peabody Essex Museum, all in Massachusetts. Collectors value antique sailors' valentines for their beauty and unusual qualities. But their high prices make it difficult for most beginning collectors to acquire the originals. A small double valentine that twenty years ago sold for $350 to $600, now sells for $500 to $1,500, and the price for a large double valentine has jumped from $1,000 to between $2,500 and $10,000—that is if either can be found.

Plus, a thriving business making new sailors’ valentines has emerged on Nantucket Many of these have frames that have been faux finished to imitate the original woods and their designs copied to imitate the originals. Beyond the souvenir shops, collectors must be vigilant because many of these imitations have been sold as antiques.