Superheroes Galore

QUESTION: When I was a kid, I read comic books all the time. I’d even sneak a flashlight under the covers and read them when I was supposed to be a asleep. But over the years I drifted away from them. Recently, I went to a comic book show with a friend just to accompany him, but once there I got hooked again. Now I think I’d like to collect them. Can you give me a brief history of comic books so I have an idea of what’s involved? 

ANSWER: Comic books are not only fun to collect but are affordable. While there are some that sell at auction for stratospheric sums, the majority can be bought for reasonable amounts. 

Less than two decades ago, blockbuster movies featuring a raging green hulk, a group of mutant humans, a spider, and a man blinded by radioactive waste spurred the resurgence in comic book collecting. And who can forget the comic book store frequented by the nerdy guys in the hit T.V. show The Big Bang Theory.

While interest in comic books featuring superhuman characters increased in the early 21st Century, their origin goes back much earlier.

American comic books trace their roots back to 1933 when a syndicated newspaper published part of its Sunday comic's page on 7 by 9-inch plates. Eastern Printing employees Max Gaines and Harry Wildenherg believed two such plates could fit a tabloid-size page, producing a 7 by l0-inch book when folded. The two took newspaper strips and reprinted them in a booklet titled Funnies On Parade, which the Proctor and Gamble Company used as a premium.

Gaines convinced Eastern executives he could sell similar comics to large advertising firms. Eastern then produced and distributed Famous Funnies and Century of Comics. Both were highly successful.

Surprised with the popularity of the giveaway comics, Caine believed he could sell them to kids if it were reasonably priced, so the company printed Famous Funnies Series One and sold it for 10 cents. The comic was an immediate sellout. It became the first monthly comic and continued to be published until 1955.

Early comic books featured nothing more than reprinted material. In 1935, New Fun became the first comic to break the "reprinted material" barrier by featuring the antics of Oswald the Rabbit.

The comic book industry took a gigantic leap forward in June 1938 when the first issue of Action Comics featured the amazing feats of Superman. Just as his flying abilities allowed him to leap tall buildings in a single bound, they also catapulted him to the top of the sales charts.

But it took five years before Jerry Siegel and Joe Shuster, who created Superman, to sell their character to National Periodicals Publications. They had tried to market Superman to every newspaper syndicate but were repeatedly rejected. Superman was the first of many superheroes to become part of the Golden Age of Comics.

Superman’s success gave birth to dozens of other superheroes, such as Batman, who first appeared in Detective Comics 27. Artist Bob Kane modeled Superman on drawings of Leonardo da Vinci's flying machines. Although Batman had no superpowers, he appealed to young readers: He was costumed, smart, and had a variety of neat gadgets at his disposal.

Batman received his own title in the spring of 1940 when Batman No. I appeared on newsstands. This issue also featured the first appearances of Catwoman and The Joker. Other main characters made their appearances in issues of Detective Cornics, which later became DC, before crossing over to the Batman title. Robin, the Boy Wonder, debuted in Detective Comics No. 38. The Penguin made his first appearance in Detective Comics No. 58. Robin made history in 1988 when fans voted to have him killed off.

In the fall of 1939, Timely Comics published Marvel Comics No. I, which contained the first appearances of The Human Torch. Eventually, Timely became Marvel Comics, who along with DC dominated the comic book publishing industry for decades.

Captain America, appearing in his own comic right from the beginning, made his debut in March 1941. Previously, all new characters appeared in another comic before being granted their own title. This way, publishers could judge reader reaction through comic book sales to see if the new character could stand on his own. Captain America began his career fighting Nazis months before America declared war.

In the spring of 1941, Wonder Woman appeared on newsstands, followed by Captain Marvel and The Green Lantern. By the end of the year, over 150 different comic titles appeared on the newsstands. 

World War II had a profound effect on comic books. Dell published the first war comic, appropriately titled War Comics No. I. Many superheroes rushed into the armed forces to battle the enemy, much as many young men did. Commando Yank, Major Victory, Jungle Jim, Spy Smasher and The Unknown Soldier all played hero to many teens on the home front.

The 1940s saw the creation of two teen idols—Archie Andrews and Katy Keene. After debuting in Pep Comics, Archie Andrews got his own comic title in 1942. Katy Keene made her first appearance in Wilbur Comics in 1945. Following appearances in three other comics, Pep gave the beauty queen her own title in 1950.

The end of World War II brought about the desire for change. Adventure writers were having problems developing new plots, while humor writers found it hard to be funny after a war that cost millions their lives. The comic book industry wasn’t any different. It needed to come up with new titles, categories, and formats if it was to survive.

The western comic was one of those new categories. In 1948, Hopalong Cassidy produced a huge hit for comic book publisher Fawcett. Other publishers scrambled to take advantage of the new category. All American Western, Annie Oakley, and The Two-Gun Kid all rode onto newsstands with the fury of a cornered desperado.

With the onset of the 1950s, comic book readership continued its downward trend. Even Superman began to falter. In an attempt to regain customers, several publishers turned to violence. William Gaines, the son of Max Gaines, left DC in the mid-1940s and formed Educational Comics. When Max died, his son inherited the Eastern Printing. William changed the name to Entertaining Comics (E.C.), launching several titles that caused serious controversy.

E.C. comics contained gruesome stories and gory covers. Crypt of Terror, The Haunt of Fear and The Vault of Horror. The extreme violence .eventually brought about the company's downfall. The only E..C. title that weathered the controversy was Tales Calculated to Drive You Mad No. 1, which later became Mad Magazine.

The Silver Age of comics began in 1956 with the publication of Showcase No. 4, featuring the adventures of the fastest man alive—The Flash. This character had the same name and same powers as his golden age counterpart, but the stories were completely different.

Marvel comics introduce a superhero team in November 1961 with Fantastic Four No. I. The title's main characters obtained their super powers when their spacecraft traveled though a cosmic storm. 

The most recognized Marvel superhero, Spider Man, first scurried across the pages of Amazing Fantasy 15 in August 1962. Peter Parker, aka Spider Man, was a geeky high school student who attained the traits of an arachnoid when a radioactive spider bit him. In March 1963, Spider-Man received his own title when The Amazing Spider-Man No. 1 hit the newsstands.

But even some of Spider-Man stories were controversial. In the early 1970s, a Spider-Man one showcased the harmful effects of drugs. Two years later, The Amazing Spider Man #121 jolted the comic book world with the murder of Spider Man's girlfriend.  Marvel's next superhero, The Incredible Hulk, was the result of exposure to radiation. The Incredible Hulk No. 1 burst onto newsstands featuring the exploits of Dr. Bruce Banner.

The 1970s arrived with the birth of Conan the Barbarian, The Swamp Thing, and The Micronauts. Major publishers reprinted the most valuable comic titles from the past. Several of these, including Action Comics I, were stripped of their covers and sold as the real thing. 

Learn more about Marvel Comics by reading "Marvelous Superheroes" in #TheAntiquesAlmanac.

To read more articles on antiques, please visit the Antiques Articles section of my Web site.  And to stay up to the minute on antiques and collectibles, please join the over 30,000 readers by following my free online magazine, #TheAntiquesAlmanac. Learn more about railroad antiques in "All Aboard!" in the 2021 Summer Edition, online now. And to read daily posts about unique objects from the past and their histories, like the #Antiques and More Collection on Facebook.

Not Quite Fit for a King

QUESTION: I purchased an old Dewers pottery flask in an antique shop a while back. The brown glazed pitcher features two characters from Charles Dickens’ book, Oliver Twist—The Artful Dodger and Oliver Twist. The tag on the flask said it was kingsware by Doulton Pottery of England. What can you tell me about kingsware

ANSWER: Kingsware is one of the most unusual and colorful items produced by the Doulton Pottery Company. It was very popular when it was made in 1899 because the owner could drink the contents and then display the attractive stoneware container.

Charles Noke, an artist at Doulton, experimented with glazes and eventually  developed kingsware. Born in Worcester, England, near the Worcester porcelain factory, to a father who had one of the largest old china collections in the Midlands. Through his fathers influence, he was often allowed to roam freely through the local potteries and see all phases of their operations. What fascinated Noke the most was the process of modeling and sculpture.



Charles took some clay home from the pottery and sculpted it into different forms which he showed to the top modelers at the company. They thought his work showed promise. At the age of 16 he became an apprentice modeler and designer at Worcester Porcelain. Meanwhile, he enrolled at the Worcester School of Design to study sculpture. Noke worked under direction of such noted Worcester modelers as George Evans and George Owen.

After working at Worcester for 16 years, John Slater, the General Manager at Doutlon’s Burselm Pottery, asked him to come work for him at the Doulton Company. The main reason his joined Doulton was for artistic freedom. Eventually, Noke became Doulton’s chief modeler.

Noke helped develop the glazes for Doulton’s Sung, Chinese Jade and Flambe wares. In 1895, he developed an unusual method of slip painted underglaze called Holbein. It gave the effect of an "old masters" painting with the application of slip in yellow, green and shades of brown on a cream earthenware body.

In 1899, Noke introduced a new method of stoneware production called kingsware which was much cheaper to produce than Holbeinware. He applied colored slips of subdued green, yellow and reddish brown to the interior of plaster molds into which he had impressed a design. When he poured another brown slip, the colors fused to give a deep and soft effect to the embossed design. Noke most commonly used a dark brown glaze, but also used an unusual paler yellow one which he called "kingsware yellow glaze."

Noke also used a method of finish on kingsware known as "aerographed brown." Using an ivory earthenware base, he added the colors to the shape after it left the mold. These colors lacked the soft effect of the usual kingsware and were sharper and more vibrant. These wares were also different because they had handles and necks and bases aerographed with a spray painting technique. One of these embossed pitchers features a golf scene, one of Noke's favorite pastimes.

 produced kingsware flasks to hold whisky. The pottery produced it in large quantities for firms such as John Dewars & Sons of Perth, Bullock Lade, Greenlees & Watson and the Hudson's Bay Company. Not only did kingsware flasks hold products from these firms, it also became a way of advertising. Many of the flasks had a company name embossed on them. The flasks also had designs depicting the pleasures of drinking and smoking. For example, an ovoid flask, called "Connoisseur,"  showed a gentleman studying the quality of a glass of wine. A wine pitcher featured an image of Bacchus, the Roman god of wine. Doulton also produced a variety of other items in kingsware, such as vases, water jugs, pitchers, mugs, and tobacco humidors.

The range of characters used on kingsware was extensive. Besides his work, Noke loved to play golf and read the works of Charles Dickens, William Shakespeare, and Robert Burns. It’s no wonder that he used so many characters from these literary works on kingsware. For example, a kingsware water jug called "Memories" shows Dickens characters wearing wigs. A flask called the "Artful Dodger and Oliver Twist" portrays two Dickens' characters from his book Oliver Twist. This gave kingsware a universal appeal.

Collectors look for kingsware for a variety of reasons. Some pieces have amusing mottoes and express fitting sentiments, such as "A bumper to her who adores me and another to her to adore" can be found on a loving cup. The motto, "Be content the sea has fish enough," can be found on an ashtray. On a whisky jug a motto would read, "It's hard for an empty bag to stand straight up.”

To read more articles on antiques, please visit the Antiques Articles section of my Web site.  And to stay up to the minute on antiques and collectibles, please join the over 30,000 readers by following my free online magazine, #TheAntiquesAlmanac. Learn more about  La Belle Epoque in the 2020 Spring Edition, online now. And to read daily posts about unique objects from the past and their histories, like the #Antiques and More Collection on Facebook.

Stringing Along

QUESTION: I like to browse thrift shops. There are several in my area in which I’ve found some unique antiques and collectibles. One of the most unusual has been the string holder. This kitchy item has an almost comic character. I’ve purchased several over the last few years but know practically nothing about them. Can you tell me how string holders originated and how long they were made?

ANSWER: String has been a common item in homes and businesses for a long time. But string can easily get tangled, so inventors came up with ways to keep string in line. During the 19th century, the traditional shape of cast-iron string holders was the beehive. Others were egg-shaped  with openings around their sides so storekeepers could see how much string was left.

People often associate string holders with general stores, when storekeepers wrapped purchases in brown paper dispensed from a roll mounted on a frame with a cutting bar. Then, the storekeeper secured the package with string or twine. The wrapping paper generally sat on its frame at the end of the counter, and the string holder was suspended from the ceiling right over the. counter. Some of these holders were elaborate, complete with a sign promoting some product, such as Heinz pickles. Others, were simply a cast iron hole tin frame that held a ball or cone of twine and fed the string through a hole in the bottom.




By the early 20th century string holders had come into the home. These were usually figural pieces that hung on the wall and had a compartment to hold a ball of string. A person could feed the string through a hole in the figure, typically through the mouth in  a face, where it could be pulled out for a given amount, then cut off for use. While some of the early examples date to the 19th century, these decorative figures became popular from the start of the Great Depression through the 1950s. Manufacturers produced string holders from a variety of materials, including cast-iron, wood, glass, and porcelain, but the predominant choice of material was chalkware, more commonly known as plaster of paris. Many string holder manufacturers used it because of its low cost and ease in which it could be cast.

Once it cured or hardened, workers removed the plaster holder from the mold and painted to give it strong eye appeal. It was a popular item sold in five and dime stores, and the designs seemed to be endless. More often than not, manufacturers produced a broad line of wall pockets, of which string holders were one of the line. Wall pockets were designed to hang on the wall and hold a variety of items, such as stamps, matches, flowers, letters, etc. Some of the better known manufacturers of`wall pockets and string holders include McCoy, Roseville, Weller, and other established firms.

One of the companies that produced unique string holders was Miller Studio of New Philadelphia, Ohio. Miller Studio made string holders from 1947 to 1958. Some of their early designs included Jo-Jo the Clown, a wormy apple that featured "Willie the Worm, Susie Sunfish, and a kitten on a red ball of yarn. In 1949 they dropped the clown and sunfish and added "Miss Strawberry" and "Little Chef." In 1952, Miller replaced “Little Chef” with "Prince Pineapple." Then a year later, Miller dropped “Prince Pineapple,” replacing him with "Posie Pig." Because of its short time on the market, “Posie Pig” is the most difficult to find today.

String holders came in a large variety of shapes and designs. Most collectors focus their collections on a single category. Fruits and vegetables have always been a popular design for producers. Collectors can find everything from apples and bananas to green peppers and pineapples to hang on the kitchen wall. Animals have always been a top selling category, from cats and dogs to birds of every description.

While the cartoon characters and animals have always been popular with collectors of string holders, some choose to focus their collections on people designs, which include black memorabilia,  girls and women, fairy tale figures, boys and men, chefs, clowns, and comic cartoon characters.

Another category popular with col tors are designs featuring cartoon characters or advertising icons, including Elsie the Borden Cow, the Coca Cola Kid, Aunt Jemima, Smokey the Bear, Popeye, Shirley Temple, Betty Boop, and a rare 1940s Mickey Mouse.




But beware of the many reproductions and fantasy string holders currently for sale online. This is especially true in the category of black memorabilia where many of the figures of chefs, mammys and other black character figures are being copied in off-shore facilities and are flooding the marketplace. Don't confuse these reproductions with the new limited editions crafted by various artists and sold as new.

To read more articles on antiques, please visit the Antiques Article section of my site.  And to stay up to the minute on antiques and collectibles, please join the other 18,000 readers by following my free online magazine, #TheAntiquesAlmanac. Learn more about the Victorians in the Winter 2018 Edition, "All Things Victorian," online now.  

Collecting the Golden Arches

QUESTION: My kids have all grown up. Recently, as I was going through some boxes in my attic, I noticed one filled with little toys that my children received in McDonald’s Happy Meals. Are these of any value as collectibles?

ANSWER: The answer is yes, but...and there’s always a “but.” To be of any value to a collector, Happy Meal toys need to still be encased in their packaging and not used. There are some rare pieces that have value even if out of their packages, but generally, as with other toy collectibles, mint in package is the rule.

McDonald's collectors aren’t simply food groupies picking up recent Happy Meal toys. Collecting McDonald's memorabilia can be a complicated affair. Categories are numerous and subcategories extensive. Items can be instantly available or hard to find. Prices range from a couple of dollars to thousands. As with any collectible, the law of supply and demand rules.

McDonald's memorabilia encompasses a vast amount of local, regional, national, international material-ephemera, advertising and print items, cross-collector character items, McDonaldland character items, restaurant pieces, books and comics, sports and non-sports cards, glassware , and plates, watches and jewelry, garments, vehicles, dolls, toys, and more. The list is almost endless.

The McDonald brothers started their fast food drive-in restaurant in 1948, so an item from the early 1950's  could carry a hefty price tag.

A novice McDonald's collector could amass hundreds of Happy Meal toys in a very short time.. For example, nearly 90 different toys had been in Happy Meals in 1996 alone, and millions of each toy had been issued. You can easily find toys from recent years selling for one to two dollars. A manufacturing variation or recall may create a toy of a little higher value, but even these are available in quantity.

Happy Meal toys and related display memorabilia remain are the most popular items to collect. Each Happy Meal has a specific and variable number of toys, including a special U3 toy which meets special standards for children under three years age, some bags or boxes, a stand up display and possibly counter displays, as well as banners, posters, and signs.

McDonald's collectors are as fussy about cleanliness, condition and completeness as any other collectible collector. Since McDonald’s had many of the items produced in the millions, prices for most packaged items remain low, and the package must be perfect. Loose Happy Meal toys have little value, especially once they’ve been tossed in a box, as the paint rubs off and are lost. Paper items need to be pristine and unmarked to bring top dollar.

Figurine Happy Meals toys are the most popular, especially those which feature well-known characters. Special packaging can also increase the desirability. The April 1996 Walt Disney Masterpiece Home Video Collection Happy Meal is a McDonald’s collector’s Holy Grail—eight nicely made classic figures, each in a fitted half-size videotape box, with well designed color cover artwork and McDonald’s logos. Dumbo is the U3 toy in the set. A single Happy Meal bag completes the set.

Happy Meals which feature books, buckets, or. little-known characters are usually of lessor interest to collectors, but there are exceptions. The four small soft cover Beatrix Potter Peter Rabbit books from a 1998 Happy Meal, in mint condition, complete with the Happy Meal box are worth about $80 as a set. The Peter Rabbit Happy Meal was a "regional" which had limited geographic distribution. Any books that have been in children's hands are hard to find unblemished. Usually, this happens moments after opening the package as little ones’ hands are often sticky from eating fries and the like.

Elusive, scarce items can bring big dollars. The growing interest in fast food collecting has helped many wonderful older items to surface. However, many may or may not be valuable. Experienced McDonald's collectors look for complete older items in excellent condition and newer items that might be unusual or limited.

Most non-Happy Meal McDonald's collectibles feature the company name, one of the corporate logos, the trademark “M,” or recognizable characters.  Remember that a copyright date is only the year of first issue—a seemingly early piece may still be in circulation.

Early and scarce are the key words in McDonald’s collecting, although they may not occur simultaneously. Look for design features and characters no longer in use, such as Archy McDonald, the early character Speedee, items with the golden arch logo with a slash mark, and items related to the old style "red and white” restaurants. A 1966 Ronald McDonald costume with slash-arch logos, complete with makeup and wig, surfaced at an unclaimed storage locker auction. Needless to say, a collector paid several thousand for that hot item.

Most people think the same toys appear in all McDonald’s Happy Meals. In fact, they vary from region to region and country to country. This brings the total issued into the millions. And the more produced of any collectible, the less value it eventually has.

Oh Happy Days!

QUESTION: I found a box of old McDonald’s Happy Meals toys in my attic that once belonged to my kids. Do these have any value as collectibles or should I just toss them?

ANSWER: You may or may not have hit upon a buried treasure in your attic. Depending on the age and condition of the toys, they may be worth a little or a lot.

Of all the McDonald’s collectibles, Happy Meal toys and related display memorabilia remain the most popular. Each Happy Meal has a specific and variable number of toys, including a special U3 toy which meets particular standards for children under three. The boxes and bags in which the food came in are also collectible. Display items include counter boards, banners, posters, and signs.

The McDonald brothers opened their first drive-in in 1948, and by 1954 they were well on their way to franchising success. A 1950s McDonald’s item could have a hefty price tag.

A beginning collector could amass hundreds of Happy Meal toys in a short time. In a typical year, McDonald’s produces nearly 100 different toys and issues millions of each. Recent ones sell for $1-2 each, but a manufacturing variation or a recall may create a toy with a higher value.

Because McDonald’s produced millions of these toys, they must be perfect to have any value. Loose ones thrown in a box have little or no value since the paint rubs off and parts disappear. Paper items need to be clean and unmarked to bring top dollars.

Figurine Happy Meals toys are the most popular, especially those featuring well-known characters. Special packaging can also increase their desirability. The idea behind Happy Meals is to get the little ones to collect a particular set. Parents usually order by character needed rather than by what the food offering may be. This keeps the kids dragging their parents back for more.

Happy Meals featuring books, buckets, or little-known characters are of lessor interest to collectors.  But there are exceptions. The four small soft-cover Beatrix Potter Peter Rabbit books from a 1988 Happy Meal, in mint condition with the mint Happy Meal box are worth about $80 as a set since this Happy Meal was distributed only regionally.

So depending on the age and condition of the Happy Meals toys in your box, they may not be worth all that much.