The Art of Knokhloma

 

QUESTION: For years I’ve been collecting decorative wooden bowls and utensils that someone told me were Ukranian. They look to be some type folk art but I’m not sure how old the pieces I have actually are.  I’ve never seen or read anything about them, but their bright colors and attractive designs  really attracted me. I found most of the pieces in my collection at garage sales and fleamarkets. What can you tell me about the pieces in my collection?

ANSWER: The pieces in your collection aren’t Ukrainian but Russian—there’s a difference. In fact, they originated in the Kovernino District of the Nizhni Novgorod province north of Moscow. The painting style became to be known as Khokhloma. 

, which first appeared in the second half of the 17th century, is known for its curved and vivid mostly flower, berry and leaf patterns. The Firebird, a figure from the Russian fairytale, can also be used.

A combination of red, black, and gold are typical colors for Khokhloma. When artisans paint on wood, they use mostly red, black, green, yellow and orange  over a gold background. This makes the wooden tableware look heavier and metallic.

The production of painted dishes in Khokhloma is first mentioned in 1659 in the letter of a boyar called Morozov to his bailiff, containing an order for 100 painted dishes and 40 painted wine bowls.

The handicraft owes its origin to the Old Believers, who, fleeing from persecutions of officials, took refuge in the local woods. Even earlier, however, local craftsmen had experience in making tableware from soft woods. But it was icon-painters who taught them the special technique of painting wood in a golden color without the use of real gold.

The craftsmen carved utensils and dishes out of wood, then primed them with clay mortar, raw linseed oil, and tin powder. They then painted a floral pattern on top of this coating. After that, they coated the pieces with linseed oil and hardened them in a kiln at high temperatures. 

Artisans used two principal wood painting techniques on the Khokhloma—the  "superficial technique," red and black colors over a goldish one, and the "background technique," a goldish silhouette-like design over a colored background.

One of the villages where the art of Khokhloma painting had originally been practiced in ancient times grew to become a trading post to which the local craftsmen brought their wares for sale starting from the 18th century.

But it wasn’t until the end of the 19th century that Westerners first learned of the Khokhloma painting style through an exhibition in Paris. But by the early 20th century, the style seemed to be fading away, only to be revitalized during the Soviet times. 

The Khokhloma craftsmen united into artels in the 1920s to early 1930s. In the 1960s, the Soviets built a factory called the Khokhloma Painter near the Khokhloma village and another one in the town of Semyonov. These two factories have become the Khokhloma centers of Russia and still produce tableware, utensils,, furniture, and souvenirs.

The three colors—red, black, and gold—used in Khokhloma painting had a profound symbolism for decorating the sacred church vessels and the dishes and cups used in the monasteries and nunneries, as well as in icon ornaments. The red color represented beauty, the gold color symbolized the spiritual heavenly light, while the black color signified the cleansing of the human soul. The religious symbolism of colors has long been lost in the Khokhloma art but the precise and solemn scheme of colors inherent in the festive design of the "gilded" dishes grew to be traditionally used for decorating all wooden Khokhloma articles and made them especially favored by collectors.

There are families in the region famous for Khokhloma art who have been keeping secret formulas of painting materials and techniques, transferring them from one generation to the next for more than three centuries. 

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The Most Printed Book of All Time

QUESTION: Last year I purchased an old Bible at a church festival. It’s one of those big Victorian pictorial family ones and seems to have all kinds of features besides just the Old and New Testaments.  As far as I can tell, the copyright date is 1881 from George V. Jones of Boston, Massachusetts. The presentation page says a woman gave the Bible to a man, most likely her husband, on Christmas Day in 1882. While the exterior shows some wear, the interior is in pristine condition. I also own two other Bibles from the second half of the 19th century. What can you tell me about this particular Bible and perhaps others like it?

ANSWER: From what I can tell about your Bible, you may possibly have a winner. In the world of Bibles, especially those from the later 19th century, only a few stand out.

George V. Jones of Boston did indeed print your Bible. This particular edition includes the Old and New Testaments, as well as the Concordance, Aprocypha, and Psalms. In all, it contains 2,500 illustrations. But what makes your Bible stand out is that it won a Diploma of Merit at the International Cotton States Exposition in Atlanta, Georgia in December of 1881.


With Bibles, condition is all important. Large family Bibles from the 19th century, particularly study Bibles with illustrations, maps, and commentary are very popular with collectors. But what do old Bibles include? Surely, the Old and New Testaments, but there’s often much more. Bibles published for various Christian religions may include different features, such as a Bible Dictionary, a History of the Religious Denominations of the World, and detailed studies of the events and persons in the Bible’s text. Then there’s the endless variety of translations. For most Bible collectors, figuring out how to narrow the scope of their collection can be a challenge.

The King James version of the Bible, revised many times over the centuries, is probably the most famous one in the English language. But prior to its printing, at least 239 editions of the English Bible were in print. Since 1611, the number of English versions has exploded.

Gustave Doré was one of the most acclaimed and popular illustrators of the 19th century, and his illustrated Bible is a landmark in the field. He made more than 200 engravings, illustrating the events of the Bible with great detail. The first edition appeared in France in 1866, but publishers like George Jones reprinted his work throughout the following decades. This Bible features the engravings of Gustav Dore.

The elaborateness of the binding doesn’t affect a Bible’s price. A Bible’s value depends mostly on the completeness, condition, content, and size of its pages, not on the age of the piece of leather that it happens to be bound in at the time. Many collectors prefer a new leather binding, to one that’s worn and less attractive. They’re more interested in the quality of the pages of text.

Ninety percent of all Bibles, including this one, are standard "Quarto" size printings, measuring about 7 to 10 inches wide by 9 to 12 inches tall by 3 to 4 inches thick. Larger pulpit "Folio" size printings are ten times as rare, and therefore more expensive.

Old Bibles are always hardbound. Most have full leather covers and spine while some have leather spines and corners but fabric centers on the front and back covers. Armored or ornamented bindings with metalwork at the corners and center and clasps and latches that hold the book shut also adorn some of these Bibles. Most old family Bibles also have raised bands on their spine known as a “hubbed” spine.

Bible makers used two decorative techniques—blind stamping where an impression is stamped into the leather resulting in a design or "Gold-Stamped", where gold has been applied into the groove of the stamping, such as the words "Holy Bible" might be stamped in gold on the spine. The cover of this Bible has extensive gold stamping.

Older Bibles often include a “concordance,” also referred to as “The Table of Names and Table of Things.” This is essentially an alphabetical index to the scripture which helps readers locate a passage based on what words appear in that passage.

Some older Bibles offer a 36-page illustrated "Family Tree of Man" which traces every generation of the first 4,000 years of mankind, from Adam and Eve through Noah through David to Joseph, Mary, and Christ.

Gutenberg’s 42-line Bible is probably the most valuable printed book, with single leaves selling for $60,000 and up. Bibles are the most common book in the world, especially in the English language.

Two-by-Two to the Floating Zoo

QUESTION: When I was little boy, my grandfather gave me an ark, complete with all the animals, each made of wood. I’ve kept it all these years and wonder about its origin. There are some words in German on the bottom. What can you tell me about it?

ANSWER: You’re very lucky to have such a wonderful toy and to have kept it intact all these years. The problem with toys with lots of pieces is that those pieces tend to get mislaid or lost.

Many religions prohibited frivolous play on Sunday, the Lord’s Day. The only toys they allowed with those religious in nature. And what could be more religious than a toy ark. Children spent hours loading and unloading the animals from the ark, marching the birds and beasts in columns two-by-two.

But these toys were anything but playthings. Their exquisite carvings elevate many of them to the level of folk art and their prices to locations high in the stratosphere. But for those collectors with the means to purchase them and the space to display them, the world of ark collecting can be colorful and satisfying.

Often referred to as “Sunday” toys back in the 19th century, arks came into popularity around the 1850s.  The people of the village of Erzgebirge started making them as a cottage industry. Some families built the arks while others handcrafted the animals and still others painted and added details to finish the pieces. German arks feature lathe-turned animals which later have details carved into them.

The British also made arks but started a bit later. Arks became a popular thing to make to raise money for war relief during World War I. Makers painted them red and green and affixed a war-relief emblem to them. At the same time, German prisoners of war in England built arks with stockade-style roofs. Even the folks in Ireland got in on the act and attached a white dove to the ark as a sign of peace.

Toy arks come in all sizes. Larger ones can be up to 30 inches long and contain over 400 animals, plus 8 human figures representing Noah’s family—Noah and his wife plus three sons and their wives.

It’s hard to tell the age of antique arks since most aren’t marked. However, specific construction characteristics can provide some clues. The shape of the bottom is one. Flat-bottomed arks are older. And those planed by hand rather than machine are also older.  The amount and style of the decoration can also be a clue. Earlier arks tend to have less detail and decoration.

The frieze—the decorative border immediately below the ark’s roof line—can also be a clue to its age. An ark with a more elaborate and colorful frieze is more likely to be newer than one with a simple one. Some makers used a strip of decorative paper as the frieze.

Early arks had fewer and simpler animals since it took longer to make them. As tools improved, ark makers made more animals. The animals that came with German arks were always made of wood that a craftsman first turned on a lathe. The marks of his cutting tool appear on the bottom of each piece. All these clues apply to arks made before 1900. After that, construction became more standardized.

The number of animals was directly related to the production cost of antique arks. As there became greater demand, craftsmen built larger arks with more animals. Antique arks, especially ones with all their parts, amount of detail, and in excellent condition, can sell for as much as $40,000. Most smaller ones sell for somewhere between $250 and $800.