A Spoonful of Love

 

QUESTION: There are many ways of saying “I love you,” but one of the most unusual is the love spoon. I recently saw several of these in antique shops while traveling through Wales. About all the dealers could tell me about them was that they were gifts of love from a suitor to his true love, a tradition that has existed in Wales for several centuries. I bought one to take home, even though it seemed to be overly priced. What can you tell me about Welsh love spoons?  

ANSWER: Rural lovers with their hearts set on a plain milkmaid would probably have been unable to buy a loving gift for Valentine’s Day back in the in the late 18th and 19th centuries. So they fashioned tokens of their love from whatever was close at hand, using whatever skills they had. Often these gifts might have been small personal items, such as knitting sheathes, stay busks and lace bobbins. But the gift that seemed to have stirred young girls’ hearts the most was the Welsh love spoon.

No one knows why the Welsh made these love spoons. However, there was an earlier tradition among Scandinavians of giving love spoons. However, today most people associate the love spoon with the Welsh.

So why give a spoon? For centuries the humble spoon was one of the most familiar of  household utensils. The practice of storing spoons fitting snugly together prompted people to give a romantic meaning to the word in the 18th century. The delightfully descriptive word “spoonways” eventually embraced the human desire to emulate the closeness of these spoons in bed. The Victorians went further and used the verb “to spoon” to describe courting. In fact, the phrase continued in use well into the 20th century with popular song writers who found it a useful for its ability to rhyme with words such words as moon, June, swoon, and honeymoon.

It’s difficult to be precise about the origins of love spoons. However, enough of them inscribed with a date survive to enable collectors to trace their styles. One of the earliest recorded dates to 1667.

Most of the spoons on the market today date from the late 18th and 19th centuries. Although generations of spoon carvers would have copied styles and designs, dating them is difficult. Those spoons with a broad, flat  pierced handle seem to come predominantly from North Wales, while those that display clumsy carving and a lack of proportion tend to come from Pembrokeshire. The lucky young girl who received one really didn’t care where it came from. 

What’s certain is that such prized possessions would have been displayed in a place of honor and no doubt the most eligible girls could acquire a small collection of these spoons before choosing their mates. The. infinite variety of styles and designs found in Welsh love spoons means that there are no two alike. Their great charm rests in what  they represent and the symbolism in the motifs that carvers used to create them.

The most common of these motifs was naturally the heart. Two hearts intertwined contained even more obvious meaning. Closely associated with the heart, and almost as common, was a motif that looked like a fat comma. This symbol comes from the ancient Egyptians sign for the soul. Thus, hearts and commas declare heart and soul. Keyholes represent another powerful motif, offering a way into the suitor's heart. And even other spoons feature a small muse, and occasionally a key that really helped make the suitor’s feelings known. 

Still, the formalities had to be observed and many love spoons incorporate chains—not simply to demonstrate the skill of the carver—but to indicate the chains that bind a marriage. Shoes and boots also appear frequently on love spoons. The origin of this motif is a reference in the Bible in which the exchange of a shoe signified agreement of a marriage contract.

Carvers often incorporated initials with or without dates, and sometimes created spoons with a deeper, oblong window cutout into which a suitor inserted a piece of paper inscribed with names, dates, or drawings. Likewise, carvers sometimes added shards of broken mirrors. Why they did this is unclear. Perhaps it was to add a note of brightness to their spoon design, for none of these shards was large enough to serve as a looking glass. 

And while they used the most accessible and workable materials to carve their spoons, carvers used a variety of woods, especially easily carved sycamore and fruitwood. 

Occasionally, they created spoons from more exotic woods and materials, such as mahogany, ivory, or whalebone. This suggests that a sailor could have carved the spoon while on a voyage to a distant land. Sailors also seemed more likely to have embellished their spoons with inlaid colored wax or tiny brass pins. Some went even further and incorporated a lantern or cage containing free-moving balls into the handles, showing off the skill of the carver. 

The skill of some of these spoon makers was extraordinary, with the manual dexterity to produce even the most basic spoons. It’s also possible that an especially talented spoon carver could have made spoons for others in his area, accounting for the similarity of designs in spoons from certain places.

Because love spoons now fetch higher prices both in the United Kingdom, the United States and Canada, it would be easy to give them an importance beyond their humble origins. Essentially, love spoons were simply a declaration of love, pure and simple.  

To read more articles on antiques, please visit the Antiques Articles section of my Web site.  And to stay up to the minute on antiques and collectibles, please join the over 30,000 readers by following my free online magazine, #TheAntiquesAlmanac. Learn more about old-time winter objects in the 2022/2023 Winter Holiday Edition, with the theme "Winter Memories," online now. And to read daily posts about unique objects from the past and their histories, like the #Antiques and More Collection on Facebook.

A Bolt Out of the Blue

 

QUESTION: I was browsing through an antiques mall when I spotted what looked like round glass globe lampshades. The dealer’s booth that contained them displayed at least a dozen. Some were opaque and others were clear glass and some had patterns. Unlike other 19th-century lamp globes that have a wider opening at the bottom and a narrower one at the top, the openings on these globes were the same narrow size on top and bottom. What sort of gas lamp were these used for?

ANSWER: Believe it or not, these globes aren’t for use on gas lamps but are part of a lightning rod installation. And unless you live in a rural area, you probably have never  noticed them on top of buildings.

Some lightning rod balls date to as early as 1840. Originally sold as ornaments for lightning rods,  today they can be found in a wide range of shapes and colors. Toward the end of the 19th century and beginning of the 20th, the use of lightning rod balls became common. 

In the 19th century, manufacturers embellished their lightning rod assemblies with ornamental glass balls. The main purpose of these balls, however, was to provide evidence of a lightning strike by shattering or falling off. If a property owner discovered a ball missing or broken after a storm, he or she would then check the building, rod, and grounding wire for damage.

A lightning rod is a lightning attractor or conductor. If it’s placed high on a building, it will draw the lightning towards it instead of other structures. The lightning rod comes in contact with an aluminum or copper plate on the roof. A grounding cable then runs inconspicuously across the roof, down the side of the structure, and into the ground.

There are around 34 shapes or styles of lightning rod balls. Traveling salesmen going from farm to farm in horse drawn wagons sold them from 1870 until the Great Depression closed businesses.

The most common lightning rod ball was 4½ inches in diameter and was smooth and round. The most common colors were opaque white, and opaque light blue. The next two most common colors were transparent cobalt blue and transparent red, sometimes known as "ruby" red. The holes in the top and bottom of the ball were the same size, and the hole and the area around it were called "collars."

Most balls had copper, aluminum, or sometimes    

brass "caps" on both ends. The purpose of the caps was to protect the ball and to cover up the rough glass edges created during its manufacturing process. Small metal rings, each with a set screw,  mounted on the lightning rod above and below the glass lightning rod ball to hold it in place..

In the 19th century, a farmer's barn was usually larger than his house. The lightning rod assembly was essential to protect these wooden structures from electrical storms. The glass lightning rod ball, placed at the center of the rod, was simply a decorative addition.

Sold by nearly every lightning protection company, the plain round ball was the moist common and came in three sizes—3½ , 4 and 4½  inches in diameter. Produced in milk glass, transparent glass and sometimes in porcelain, the standard ball was white or blue milk glass, and examples of these can still be found for $25-60. Both milk and transparent glass balls also came with a flashed coating—a process in which another color coated the original, such as blue over white, resulting in an opaque effect.

Transparent glass offered the widest range of color options, which ranged from clear to various shades of amber, cobalt blue, green, teal and red. Some clear balls now have an amethyst tint, the result of the sun's exposure to the manganese used in the glassmaking process. The deeper the shade of purple, the more desirable the ball is today.

Some manufacturers embossed their round balls with their name or further enhanced them adding quilted, pleated, or swirled patterns. While these can usually be attributed to specific manufacturers, they’re most often referred to by their shape, such as Chestnut„ Doorknob, Ear of Corn, Quilt Flat, Ribbed Grape, Onion, or Staircase. 

To read more articles on antiques, please visit the Antiques Articles section of my Web site.  And to stay up to the minute on antiques and collectibles, please join the over 30,000 readers by following my free online magazine, #TheAntiquesAlmanac. Learn more about the Retro style in the Fall 2020 Edition, online now. And to read daily posts about unique objects from the past and their histories, like the #Antiques and More Collection on Facebook.

Some Kugels Are for Hanging

QUESTION: I’ve been collecting Christmas ornaments for quite a few years. I don’t collect any particular type, just ones I like. Recently, I discovered several older ones in a booth in an antique coop. They were mixed in with a bunch of newer ornaments and at first, I didn’t pay much attention. But when I picked one up, it felt heavier than the thin glass ornaments of today. One of them looked like a bunch of grapes and the others like ribbed Christmas balls. So I bought them. Can you tell me anything about them?

ANSWER: It sounds like you’ve discovered some kugels, a type of heavy glass Christmas ornament made in Germany from about 1840 until 1914. The word kugel means “ball” in German, but it also is the name of a type of German pastry. The first ones were smooth, heavy glass balls that were too heavy to hang on anything but a stout pine in the yard, so people hung them in their windows. Kugel makers created them in the shape of grapes, apples, pears, pine cones, berries, tear drops and balls with melon-style ribs.

Louis Greiner-Schlotfeger invented the kugel to compete with the glassblowers of neighboring Bohemia who had perfected blowing glass beads lined with lead mirroring solution with produced a brilliant shine. And although he was able to duplicate the lead mirroring solution, he couldn’t hand blow his kugels thin enough. The result was heavy pieces of glass shaped as balls in a rainbow of colors in sizes ranging from an inch in diameter to over 30 inches.

Originally, the glassblowers hung their kugels with bits of wire. After blowing a glass bubble, they snipped it from the blowing tube which resulted in a small neck with a hole leading to the inside of the kugel. They ground the neck down leaving just a hole and attached a decorative brass cap, held in place with wire arms that spread apart inside the glass sphere. Finally, they attached hanging rings to the caps and hung them with wire hooks.

These early kugels became known as “witches balls.” People hung them in their windows and doors to ward off witches, who, legend says, were repulsed by round shapes.

Kugel makers began experimenting with silvering the interior of their balls. Some used lead, while others employed bismuth or tin. Eventually, most settled on silver nitrate to create a metallic finish. Larger versions of these early kugels, called “gazing orbs,” sat on pedestals in people’s gardens.

It wasn’t until 1867, when Greiner-Schlotfeger’s village built a gas works that he had a steady, hot, adjustable flame, enabling him to blow thin-walled glass balls. From that point, it was a simple step to blowing glass into cookie molds shaped like fruits and pine cones. The glassblowers called them Biedermeierkugeln—referring to the Beidermeier Period in which they made them. However, these kugels were thin enough to hang on a Christmas tree, giving birth to today’s Christmas ornaments. The exteriors of these early ornaments glowed in bright red, cobalt, blue, green, silver, gold, and amethyst. 

By 1880, full-sized trees decorated with expensive imported German glass ornaments became all the rage among the wealthy. American retailer, F.W. Woolworth, saw these ornaments on a trip to Germany, but was reluctant to order any for his stores—at least at first. To his amazement, his original order sold out in two days.

By the last decade of the 19th century, kugel manufacturing had moved to Nancy, France. The decorations that came out of this region were lighter than those made in Germany and offered new exterior colors, including tangerine. 

But as with many other collectibles, cheap knock-offs began appearing in the American market years ago in a national mail order catalog. New pieces, made in the old shapes, such as round 2-inch balls, grapes in 5 and 3-inch clusters, and a 2 1/8-inch melon-ribbed ball, arrived in retailer’s shops with a removable paper label marked "Made in India."

The major difference between new and old kugels is the glass around the hole in the top of the ornament. Makers of early kugels cut off the neck around the hole with a blowing iron, making it flush with the kugel’s surface. On new kugels, the neck, technically called a spear or pike, remains.

The tops of these new necks have a "cracked off" appearance while the surface around the hole on older kugels is smoother. New kugels arrive from the wholesaler with an “antiqued” brass caps and pre-rusted top wires and hanging loops.

The value of older kugels depends on their size, shape, and exterior color. Pink, purple, and orange pieces are the rarest while red kugels, though obtainable, are expensive. The most common colors are silver, gold, green, and cobalt, in that order. While new kugels sell for about $8, originals can sell for as high as $1,000 and more.

For more information on kugels, read my article on antique Christmas ornaments.